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Roedelius/Cluster Harmonia
Ambient / Alternative / Acousmatic / Tape music

		Hans-Joachim Roedelius Composer, Poet Writer Baden, Niederösterreich Austria Profile Views: 86770 Last Login: 7/3/2009
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Roedelius/Cluster Harmonia: General Info

Member Since	1/27/2007
Band Website	meridianguides.com
Band Members	Hans Joachim Roedelius ORDER THE FASCINATING BIOGRAPHY OF H. J. ROEDELIUS. THE BOOK THAT SHOULD BE MADE INTO A MOVING PICTURE! PLEASE CLICK ON THE LINKS BELOW FOR MORE INFORMATION PAINTING WITH SOUND - THE LIFE AND MUSIC OF HANS-JOACHIM ROEDELIUS by Stephen Iliffe. WITH AN INTRODUCTION BY BRIAN ENO. ORDER DIRECTLY FROM THE AUTHOR via : Stiliffe@aol.com http://www.meridianguides.com/ Some reviews of the music from the CD "Inlandish", the third collaborative work of Roedelius after "Persistence of Memory" and "Lunz" with grammy nominated mastermind Timothy Story The quiet man of krautrock, Hans-Joachim Roedelius, has been wise in his choice of collaborators. The 73-year-old is a benign minimalist who benefits from being steered away from simple prettiness into stranger, more unsettled waters. In the 1970s, he formed Cluster with Dieter Moebius, and the pair proceeded to work with both Neu!'s Michael Rother (as Harmonia) and Brian Eno. Following 2003's Lunz, American composer Tim Story is again doing the steering, and with a much bolder hand, shading Roedelius's neo-classical piano meditations with cello, oboe, and pensive electronics. Intermittent Haiku has the same nostalgic, rain-blurred synth tones as Boards of Canada; Downrivers is underscored by a tachycardiac tick like a malfunctioning clock; Beforst is a luminously textured marvel. This is a record to set along side 1977's Cluster & Eno, but also Air and Aphex Twin: beautifully eerie, a world unto itself. - Dorian Luskey, The Guardian 11 January 2008 (4 stars out of 5) One half of the Krautrock duo Cluster, Hans-Joachim Roedelius first worked with the American composer Tim Story in 1996. Inlandish is their third collaboratin, and the best, being fill of heart-melting melodies and subtle backdrops they describe and "emotionally ambiguous soundscapes". Surprisingly, it's Story who provides the synth parts and additional arrangements, with Roedelius restricting himself to the limpid piano progressions that are at the heart of these pieces - a division of labour that brings quietly spectacular results in "As It Were", whose calm manner recalls the new-age music of Ludovico Einaudi, and "Trouve", where an oboe adds a quizzical edge to the hushed warmth of the organ undulating gently behind the piano. The "emotionally ambiguous" aspects are represented in "House of Glances", in which the piano arpeggios are lent a little wistful mystery by overdubbed organ and oboe, and "Inlandish", a gorgeous melody dusted with swells of synthesizer. Faultless. - The Independent, 11 January 2008 (5 stars out of 5) Pop-CD of the week ***** Hans-Joachim Roedelius & Tim Story Inlandish Groenland CDGRÖN64 The third collaboration between the krautrock legend-once of Cluster and Harmonia-and the American composer Tim Story features the kind of instrumental music that tends to be called"ambient", for want of a better name, yet this isn't music that sits there in the background as you get on with your life. This is music that makes you stop and listen. Although Roedelius established his reputation as an electronic-music pioneer, his role here is to play piano while Story weaves a bed of electronic sounds around him. Roedelius spent 10 days on the project, apparently, while Story then devoted five months to making everything fit together. It was worth the effort, as the results can be stunning- as when the piano weaves in and out of the whirring rhythms of Downrivers the wobbly synth on Serpentining or the heroically subtle backing of the title track. ME Sunday-Times -Review ( 13.1.2008 ) of "Inlandish". MEDIA RESULTS: ARTIST: Harmonia TITEL: live 1974 Date: 08.11.2007 Presse-Stimmen: "Ein Verdienst dieser Veröffentlichung liegt natürlich in ihrem dokumentarischen Wert, aber sie lebt auch von ihrer erstaunlichen Musikalität, die sogar heute noch unglaublich modern klingt." (Spex 11-12/07) „Und bestimmt hört die Welt wieder hin, wenn jetzt ein historisches Live-Album von Harmonia erscheint: Thom Yorke von Radiohead wird hinhören und Damon Albarn von Blur auch und der Gitarrist von den Red Hot Chili Peppers genauso wie Brian Molko von Placebo. Weil sie alle Fans dieser sehr speziellen Musik sind, die damals den Pop in eine Umlaufbahn Richtung Zukunft schoss.“ (FAZ-Sonntagszeitung, 04.11.2007) „Eben ist auf Herbert Grönemeyers Grönland-Label sogar eine neue Harmonia-Platte erschienen, zwar eine alte Live-Aufnahme von 1974, aber so sensationell gut, dass sie ein neues Licht auf die Gruppe wirft ...“ (Rolling Stone 11/07) „Tatsache ist, dass eine der radikalsten und – von Bowie über Chili Peppers bis Boards Of Canada – einflussreichsten Bands der deutschen Popmusik zurückkommt, deren Geschichte paradigmatisch ist für die Zeit, die oft nachlässig Krautrock-Ära genannt wird.“ (Rolling Stone 11/07) Hypnagoge Latest Reviews last update: 3/31/08 Tim Story and Hans-Joachim Roedelius, Inlandish From the first graceful notes, it is clear that Inlandish is going to be a work of pure, calming beauty. As it moves along, however, what becomes even more clear is that it is an amazing, almost alchemical blend of growing intrigue, perfectly matching Story’s signature electronic twiddle and atmospheric manipulations with Roedelius’ straightforward, melodic piano. The opener, “As It Were,” comes across as a simple duet for piano and cello. At the edges are hints of electronic augmentation but it resides unobtrusively in the background. With the title track, those augmentative elements begin to increase—but slowly and purposefully, wrapping themselves carefully around each new piece. It’s as if Story is saying “Here, let me try...this,” and then having it all work effortlessly. The playfulness, the back-and-forth between artists, continues through each new track. I’m particularly fond of the duo of “Serpentining” and “House of Glances,” where Story makes his sound-sculptures slither, bop, and curl through Roedelius’ work like anxious animals. “Downrivers” features an unusual array of sounds—one bringing to mind a frantically worked pair of scissors—acting as percussion without actually being percussive while a distant voice sings a quiet aria. “Riddled” is the most upbeat track on the disk, intermittently throwing a crisp beat over a tireless piano riff and Story’s urgent cello. It drips with delicious drama. The final track, “Intermittent Haiku,” is contemplative, easing along on a lightly distorted, almost music-box style piano and hushed voices. It ends the disk like a cleansing sigh. Inlandish is quite simply one of the best, most perfectly constructed pieces of work I’ve heard in a while. It demands repeat listens not to discover layers or things missed on earlier passes, but simply for the sheer pleasure of hearing it again. Inlandish is a Hypnagogue Highly Recommended CD. Available from Tim Story's web site. Ars Errata / Nepenthemusic.com Attempting to chart the history of the Dwight Ashley/Hans-Joachim Roedelius/Tim Story triad would easily fill a chapter in any encyclopedia electronica, so it’s sufficient to say that between the three of them they make one helluva brave noise. Ashley and Story already have a number of excellent collaborations between them, including the minor classic A Desperate Serenity on the defunct Multimood label (well worth seeking out); Story and Roedelius have recorded together as Lunz, with two worthwhile discs to their credit. Now the three are an item, their debut Errata credited to the puzzlingly nicked A.R.S. If you discard whatever ridicule (or irony) might be gleaned from that abbreviation, you’d discover the well-wrought potential met and delivered on the trio’s first long-player. Who does what is difficult to discern, which often makes for the best combinations: both Story and Roedelius no doubt contribute most of the acoustic piano parts, but all three masterfully tweak their electronic gadgetry in blissful anonymity. Basically, there’s nothing else out there that sounds quite like this. “Incubator” reincarnates early Cluster thanks to its chimera-like structure, one part quacking pulse, one part purring background noise, numerous parts strangely flanged electronics. On “Gefallig”, someone’s tickling the ivory plains under a shuffling, fading sunset of a rhythm while faux horns blow and delicate if tenebrious effects phosphordot the landscape. Both “Inclement” and “Squiggle” chart murky terrain, peculiar electronic doodles zipping about like elfish simulacra; squishy rhythms become a gamelan orchestra conducted by astronauts as stabs of rasping synth wail in protest. For reasons unknown, the closing “Ruminator” brings things back to “normal”, its Budd-ing pianos suggesting early evening come down from those atmospheric highs. Quasi-chilling but not chilled, this is a trio light on its feet, nimble of phrase and savvy in composition, trading dark and light with extraordinary finesse and crystal clarity. DARREN BERGSTEIN • www.nepenthemusic.com http://www.eiaudioverite.blogspot.com/ Sunday-Times 25th January Brian Emo, Robert Fripp, Harold Budd, Hans-Joachim Roedelius, Robin Guthrie, Stars of the Lid, Tim Story Back in the 1970s, when Brian Eno came up with the idea of music that should be “as ignorable as it is interesting”, the genre seemed destined for a limited life in a world with ever-decreasing attention spans. Low-key instrumental music with no great ambition to get anywhere? Next! Yet ambient music persists, in its own quiet way. Aphex Twin’s Selected Ambient Works and albums by the Orb gave the genre a boost in the 1990s, and its influence spread throughout related areas: you can hear the influence of ambient on the likes of Air, Boards of Canada, Royksopp, Sigur Ros and pretty much anyone who learnt from ambient that you could leave quiet bits in there and people wouldn’t stop listening. Pure ambient music is still heavily populated by the 1970s generation, with Harold Budd, Robert Fripp and Hans-Joachim Roedelius all still making exceptional music, alone and in collaboration. Occasionally, newer faces appear, notably Norway’s Geir Jenssen, whose albums as Biosphere seem to reflect the fact that his home is in the Arctic Circle; the British duo Marconi Union, who bring a darker edge to things; Japan’s genre-hopping Susumu Yokota; the drone-heavy Texans Stars of the Lid; and the Ohio-based Tim Story, whose collaborations with Roedelius are breathtaking. Mark EdwardsMark Edwards ESSENTIAL RECORDINGS Recent: Marconi Union, Distance (2006); Stars of the Lid, And Their Refinement of the Decline (2007); Robert Fripp, At the End of Time (2007) Classic: Brian Eno, Music for Airports (1978); Harold Budd, Luxa (1996); Biosphere, Substrata (1997) Key track: Hans-Joachim Roedelius and Tim Story, Downrivers (2008) ATP: Harmonia TUESDAY, 20 JANUARY 2009 Visy Theatre, Brisbane Powerhouse - Tue Jan 13 A near capacity audience assembles at Visy Theatre for the first of the Brisbane components of the inaugural All Tomorrow’s Parties festival. Opening the festival are German Krautrock giants Harmonia, the trio of Michael Rother (once of Neu! and Kraftwerk), Hans-Joachim Roedelius and Dieter Moebius (both of Cluster) who have recently emerged from musical hibernation after a thirty-year hiatus. Over an hour-plus performance, Harmonia perform a contemporary update of their classic Krautrock via Kosmiche pop sound capsules as originally heard on 1974’s Musik Von Harmonia, 1976’s Deluxe and the oft-overlooked Tracks And Traces. Rother, Moebius and Roedelius reference selections from their back catalogue such as Veteranissimo and Immer Wieder whilst improvising a series of new works, with equal emphasis on the iconic propulsive motorik beat and ethereal minimalist space drone. Like contemporaries Kraftwerk (although the visual intrigue of working behind a wall of synthesisers has been usurped by technological advances) Harmonia’s reconstruction of past works respectfully bridges the barrier between past and present. Whilst this coming together of the history of post-institutionalised electronic music occasionally sounds slightly dated rather than anything classic (despite being more portable than the Moogs, ARPs and Korgs of yore, the substituted Nord Modulars hardly suffice). Still, the configuration featuring Rother on guitar, laptop and effects and both Moebius and Roedelius tinkering with synthesisers, samplers and effects is largely fascinating to watch. Harmonia’s sound additionally includes swathes of modern electronic ‘digitalia’, with a variety of sounds and processes hinting at a contemporary influence of German minimal techno and glitch artists such as Mouse On Mars and Oval, and much of the ~scape and Mille Plateaux labels. An unintentional cough provides a slightly incongruous yet light-hearted ending to the performance, with all three members receiving a deservedly rapturous reception. ANDREW TUTTLE It was amazing to see the German trio of Harmonia – Michael Rother, Dieter Moebius and Hans-Joachim Roedelius – formed from three legendary bands. Proving that they really know their music, the audience flocked to the Amphitheatre for what was probably the biggest crowd for that venue for the weekend. Harmonia were a huge hit with the crowd. Legendary German Krautrockers Michael Rother (Neu!, Kraftwerk), Dieter Moebius (Cluster) and Hans-Joachim Roedelius (Cluster) created polyrhythmic perfection as they revisited their classic work as Harmonia from 1974-76. And they were sooo German! It’s very serious here. Everyone is concentrating. Everyone feels privileged. Harmonia are a German super-group who first came together in 1973, composed of three men who helped shape the future of electronic music – Michael Rother (Neu!, also briefly in Kraftwerk), Hans-Joachim Roedelius (Cluster) and Dieter Moebius (Cluster). It’s the sort of stuff Brian Eno and Stereolab and Throbbing Gristle used to go demented over – macro and micro-incremental changes in pace and sound: what you give is what you get – and nowadays is all over The Wire and Pitchfork. Don’t let that put you off. When Roedelius – the tall, affable, chrome-domed one – raises a glass of red wine at set’s end (the traditional format of guitars and drums switched for three tabletops submerged under intriguing squiggly wires and machines) to a cheering, elect Powerhouseaudience, it’s in acknowledgement that we’ve all been on quite the enlivening ride, a rollercoaster of peaks and troughs; instrumental, sure, but infused with a charming Motorik beat and subtle sense of humour that sees most unexpected noises being created in Moebius’ corner to help break the flow, while Rother straps on a guitar to fuel the playful ‘Veteranissimo’ (last heard on Harmonia Live 1974). Grown men are heard to audibly sigh with satisfaction and relief.
Influences	The Universe. FOR THOSE OF YOU WHO WISH TO BUY H. J. ROEDELIUS, CLUSTER AND HARMONIA CDS PLUS MANY RARITIES. ALL ORDERS CAN BE DIRECTLY MADE TO THIS PROFILE. Be a supporting member of the association „More Ohr Less“. Purchase a set of three CDs with ambient Roedelius-music containing piano/instrumental-music and songs along with a 40 page-booklet with information and text/poems in a special cassette, as collectors item.It was designed by famous Austrian painter Christian Ludwig Attersee. The price of € 150,- allows also free entrance to any event of the festival / symposium “More Ohr Less” that happens every year in summer.
Sounds Like	electronica,soundscape,tone-art, german-ambient, indeed "Roedeliusmusic"
Record Label	Groenland,Nepenthe,CaptTrip,Water,Barking Green ua
Type of Label	Indie

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About Roedelius/Cluster Harmonia

This links you to an interesting profile about H. J. Roedelius
Profile of Hans joachim Roedelius

Curriculum of Hans-Joachim Roedelius

Born 1934 in Berlin, nurse, physiotherapist, masseur, escort of the dying, composer, writer, poet, foto-collage-artist, producer, curator.
Foundermember of the artslab "Zodiak" in Berlin(1968) and groups such as : "Human Being","personare", "Kluster","Cluster", "Harmonia", "Friendly Game", "Aquarello" and "Tempus Transit".

Collaborations/co-productions with artists around the globe such as: Dieter Moebius, Brian Eno, Holger Czukay, Susumu Hirasawa, Tim Story, Alquimia, Georg Taylor, Conni Plank, Stanislaw Michalak, Nicola Alesini, Jurij Novoselic, Conrad Schnitzler, Fabio Capanni, Nikos Arvanitis, Franz Graf, Peter Baumann Boris Schaak, Norbert Eisbrenner, Beatrix Rief, Michael Rother, Thomas Rabitsch, Yuko Matsuzaki, Bernadette Reiter, Morgan Fisher, Claudia Schumann Joachim Bock, Toni Morley, Gini Ball, Martin Wagner, Albin Paulus, David Bickley, Dare Mason, Peter Natterer

Timothy O'Keefe, Dwight Ashley, Diane Timmons, John Rose, Kenji Konishi,Toni Gerber, Patrick Pulsinger, Alex (The Orb) Paterson, Hiroshi Nagashim & wife Christoph Sievernich, Elke Lixfeld, Werner Moebius, Thomas Fehlmann, Ax Genrich, Seiichi Suzuki, Felix Jay, Haeyoung Kim, Richard Heacock, Neill MacColl, Alec Way, John Morissey, Jovanina Pagano, Eric Bonerz, Thomas Johnstone-Grenas, Mani Neumaier, Christa Runge, Clementine Gasser, Jurjen Drenth, Eva Maltrovsky, Laszlo Ropolyi,

Tjitse Letterie, Aarjen Uitenboogard, Jason Lynn, Russell Curry, Broderick Price, Verena Tchirz, Martin Barker, Coen de Neef, Wolfgang Schloegl, Jez Coad, Eric Spitzer-Marlyn, Andrew Heath, Elisabeth Stern, Asmus Tietchens, Dorit Chrysler, Stephan Steiner, Paul Fox, Alexander Czjzek, Bond Bergland, Werner Dafeldecker, Arnd Sebastian, Vesna Kovacevic, Roberto Castello, Alessandra Moretti, Robert Lug, Herman Prigann, Dieter Graf, Peter Grundei, Alexander Binder, Lene Lovic, Les Chapell,

Helmut David, Hermann Hendrich, Christine, Rosa, Julian and Camillo Roedelius, Ronald Vaughn, Maria Hietz, Markus Sovik, Leo Hemetsberger Hermann Rid, Joao de Bruco, Mark Lintern-Harris, Esther Linley, Caroline Carlsen, Peter Rauscher, Guido Marzorati, Enrico Coniglio, Arlo Bigazzi, Kurt Weckel, Jürgen Ramacher, Christian Einfalt, Werner Pieper, Glen Max, William Wilson, Carl & Michael Solway, Michael Weinberg, Greg Gomberg, Frederick Baker, Deborah Shaffer, Gavin Friday, Tom Green, Lua Virtual, Shannon Hancock, Minou Graf, Magdalena Wiesmann, Jean Jacques & Christian Andreani, Colm O'Donnell, Andreas Steirer, and many others.

More than thousand compositions including text, poetry, dance-theatre- filmmusic,

radioplays and fotocollages. Approximately 150 records either soloworks or productions in co-authorship with other composers or tracks on samplers, com- pilations. Uncountable concerts/performances/readings all over Europe and in some of the main cities of Japan and the United States.

Music or musical participations at soundtracks for films/documentaries such as “Witness to war” from director Deborah Shaffer, “the room of the son” ( la stanza del figlio) from director Nanni Moretti, “Stalin the red god” from director Frederick Baker, “Y Tu Mama Tambien” from director Alfonso Cuaron. Together with the Fratelli-Brothers soundtrack for the film “Imagine Imagine” about John Lennon and with Clementine Gasser for the film"Die Motesiczkys" from director Frederick Baker, “FAQ” from Stefan Hafner and Alexander Binder and others.

Participating as composer/musician/actor at " L'Orso e la Luna" from choreografer Caroline Carlsen, at "Teatro e Danza La Fenice"in Venice, "Borges & I", at "Wiener Festwochen" from choreografer Esther Linley, "Utopia of a tired Man"for "Donausfestival","Eurokaz/Zagreb" "Kampnagelfabrik Hamburg"and "Szene Salzburg" ( Esther Linley ).

Oratorium "Des Pudels Kern" for "Eurokaz" Zagreb and together with Jurij Novoselic"Happy Kitchen"for"Biennale-Zagreb" and Jazzfestival "Moving Cultures" Tirana/Albania and MAK / Vienna

Spiritus rector/curator of the symposion/Festival “More Ohr Less” in Lunz in Lower Austria. Honorary president of the Jazzfestival “Moving Cultures” in Tirana / Albania.

Roedelius Live Performance in Happy Valley

Roedelius Live at the Beatrice Wood Center

Cluster live

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Pierangelo Taboni Online Now!	Jul 8 2009 4:15 PM one idea blessing
Sköllótta Tromman	Jul 7 2009 9:43 PM :-)
Feed Me!	Jul 4 2009 11:22 PM Hi there, We are Feed Me! a Post Rock/Electronica band from Cairo, Egypt. We have finally released our debut album "Marching Stickmen" and it's available online now FOR FREE. You can download it now from our page. Please take the time to check us out, we hope you like our music. Thank you very much, Cheers from Cairo, Egypt Feed Me!
carla	Jul 4 2009 8:33 AM ....;-) Carla
bearsuit records	Jun 29 2009 3:13 PM V/A Bearsuit Records : “Captain Woof Woofs’ Guitar”(2009) Available here FREE FOR 2 WEEKS ONLY featuring the artists : port mone / alone together / the artificial sea / kirameki / milenka / taub / whizz kid / per olund band / sadomundo / anata wa sukkari tsukarete shimai / mr fritz and magnitophono / the temple cloud country club / lettelete aka ememe / harold nono and hidekazu wakabayashi (CLICK THE LINKS BELOW) ALBUM : http://www.mediafire.com/file/vzw2hwjzowm/bearsuit_records_captain_woof_woofs_guitar.zip GRAPHICS : http://www.mediafire.com/file/b1xmrgt1wt3/captain_woof_woofs_cover_images.zip
olivortex	Jun 27 2009 10:22 AM Hello there. Have the best week-end ever.
Vous renversement ma bouche, mes yeux ☆	Jun 27 2009 9:37 AM I am really- feeling Incubator & Twilight Tide these days...... The 'angels'in your being come in many forms- in this form too: Seraphim - Allegri - Miserere - Part 1 - Tallis Scholars /watch?v=x71jgMx0Mxc
patrick bowsher	Jun 24 2009 11:19 PM what's occuring? hope life is rocking hard for you :) this is my new video for 'i love you' - check it!! p
Spellbound Dazzle	Jun 24 2009 9:30 PM Thanks for the add!!
shaban	Jun 24 2009 4:01 PM meine sehr verehrten damen und herrn, der peng und ich, wir haben uns ma hingesetzt und uns gefragt: wer ist eigentlich dieser käptn? und wir hams rausgekriegt. hier kommts. viel spass: Alle Sind Käptn - feat. Käptn Peng by shaban und alles gute, shaban
Dom.Labreuil	Jun 23 2009 5:27 PM Thanks For your music and for this Bridge DARKSIDE DE LA LUNE Dom Labreuil
POOSTOSH	Jun 22 2009 10:46 AM Dear friend We are so happy to announce NEW ALBUM IS OUT NOW!!! Our new album "Herbarium" is out now on CdBaby (MP3 so far, physical CD is on its way). Diverse palette of styles (post-rock, ambient, electronica, trip-hop, with elements of noise, dub, neoclassic and free improvisation), united by cinematic, slightly pensive mood. «Herbarium» is called so because of heterogeneity of «songs», which can be compared to miscellaneous leaves in the album, still being belonged to the family of trees. Trying to avoid non-alive metaphors here, only thought of diversity and warm and innermost feeling that herbarium is capable to conjure up. «... This leaf I picked up in the park where I met her, and this - I sat by the river, contemplating...». So tracks were created – one was captured in some magic jam, another – recorded layer by layer and meticulously mixed then, next – cut from previous sessions and so on. All compositions are united by Poostosh sense of music – mostly pensive, spatial, tender and experimental. There's a lot of soul and charisma in every leaf... So please let your soul look over our HERBARIUM.
Alma duo	Jun 21 2009 9:32 AM Ciaooo!!! E' pronto il singolo degli ALMADUO dal titolo "LUCIA" aut.L.Polge prodotto dalla casa Editrice Musicale MONTEFELTRO se ti fa' piacere lo puoi ascoltare sul nostro space! A breve sara' in vendita on line..... Perdona l'intrusione!! Buona giornata:)
Н.Э.М.О.	Jun 20 2009 12:22 PM SPASIBO ZA ! Mit freundlichen Grüßen aus Moskau, N.E.M.O.
Gabriela Fulanty	Jun 20 2009 12:17 PM Thanks!
Cosmic Love Agents	Jun 19 2009 8:30 AM
olivortex	Jun 18 2009 4:06 PM Thank you for passing by!
hitcafe	Jun 17 2009 9:07 PM Hello!Thank you so much for your friendship and support!!
Band Radar	Jun 17 2009 7:05 PM
olivortex	Jun 17 2009 5:14 PM Thank you again Hans-Joachim, for I just had a listen to your music, which I didn't know yet. Beautiful. I'll have to check your different works, including movie soundtracks. All the best, O. from Paris.
olivortex	Jun 16 2009 8:50 PM Hello Roedelius. Thank you for letting me in and for sharing, you are welcome to my page whenever you can. I hope you will like the various soundscapes I propose. All the best, O.
froyd	Jun 16 2009 4:33 PM
the spaced goats	Jun 16 2009 3:55 PM many thanks for the friendship end respect for your work, inspiring moments. greetz from sunny france Pat
kostas	Jun 16 2009 3:26 PM Thank you for the live at synch festival..what else can i say about your music?
F I C H T	Jun 15 2009 5:50 PM ficht, ficht !

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