| Influences |
MUSICAL INFLUENCES
Dizzy, Miles, Jimi, Ron Sr., Anton Rogers, David Mancuso, Ahmad Jamal, Jean Luc Ponty, MOM, Shango, Keith Haring, Jean Michel Basquiat, Larry Levan, Mercury, Mars, Philly International, Salsoul, Oshun, Malcom, Roy Ayers, Bob, P&P Records, George Duke,Fela,
Prelude Records, Lee Scratch Perry, Patrick Adams, King Tubby, Greg Charmichel, Azymuth, Mutabaruka, Ossie Davis, Prince, 1982, Imports etc., King Sunny Ade, Malo, Carlos Santana, Brian Jackson, Herbie Hancock, Flora Purim, Yemoya, Rap when it was called disco rap, Hip Hop when it was fun, Coltrane, Jackson 5, George Benson, Wild Style, Frankie Knuckles, Airto, Heatwave, Quincy Jones, Eguns, The Police, The United Aboriginal States of America, The 7 Directions, Black Jazz Records, Imagination, John Rocca, Richard Long, King Tubby, The Cherokee Nation, NYC Peech Boys, Eddy Grant, Donna McGhee, Obatala, Gil Scott Heron, Pat Metheny, Salvador Dali, Soul 2 Soul, Loose Ends, First Love, Ogun, The Apache Nation, All my Great Grand Mothers and Great Grand Fathers, Harry Whitacker, Jonsey Hines, Johnnny Hammond, "Go Bang", Nick Martinelli , Leroy Burgess, Larry Heard, T.C. Curtis, A Tribe Called Quest, Ron Hardy, Manuel Gottsching, James Brown, Wes Montgomery, Leon Ware, Wally Badrou, Marvin Gaye, Sade, MLK, Mohamed ALI, The Shelter NYC 91', Sound Factory 91', The Sioux Nation, Giovanni Hidalgo, Pharoah Sanders, Tony Allen, Norman Connors, Phyllis Hyman, Freddie Hubbard, Rodney Franklin, Tania Maria, Maxwell, One Way, Rinder and Lewis, The Temptations, The Qur'an, Stevie Wonder, Carlos Castaneda, The Bible, Muddy Waters, Robert Moog, DJ Premier, J Dilla, Rhodes Keyboard, Mongo Santamaria, Players Association, Chaka Khan, Angel Figueroa, South Side of Chicago, Brooklyn NYC, Burning Spear, Beat Street, Chicago in the 80s, Rockers, the Baby Powder and Foot Imprints of NYC, Richard Pryor, Francois K, Tokyo Japan, Oya, Huey P. Newton, Black Aboriginal Hereos of America, Esu, The Last Poets, Kool Herc, Fania All-Stars, Bruce Lee, my first dance steps in '85, Love Saves the Day (the book), West End Records '81-'82, visual artists-poets-muses of the 7th generation, Ousunkote, Jazz/Funk era, everyone that's a true devotee of Music and a protector of revolutionary Art - Do you understand the puzzle...
To be continued
 |