Dave Gutter - vocals, guitar
Nigel Hall - keyboards, vocals
Jon Roods - bass
Ryan Zoidis - alto saxophone, tenor saxophone
Tony McNaboe - drums
Jason Ward - baritone saxophone
Dave Noyes - Trombone
Rustic Overtones' "The New Way Out" is the first album of entirely brand new music from the band in over eight years.
Recorded in their own makeshift studio between November of 2007 and September of 2009 it's the bands fifth full length studio LP and first without longtime keyboard player Spencer Albee who left the group shortly after production began to form Spencer and the School Spirit Mafia. He was replaced during the writing and recording of the record by Nigel Hall (Soulive, Lettuce, Robert Randolph) who handles the keyboard duties on TNWO.
The one time property of Clive Davis' Arista Records, Rustic Overtones were caught in the middle of one of the biggest industry shake-ups in music history when Davis was asked to step down from his own label of 25+ years. The band then managed to get out of their deal with Arista Records while retaining the rights to their Master recordings, which were released a year later by classic indie label Tommy Boy Records. After two years of more than 260 shows a year, a widely successful radio campaign and a hit on Canada's "Much Music", Tommy Boy Records were bought out by Warner Bros. Music and the Overtones again found themselves without a home.
The band took a knee, a deep breath and a much needed hiatus between 2002 and 2006 while individual members formed new bands (Paranoid Social Club, Seekonk) and others took touring gigs with the likes of Soulive and Ray Lamontagne before returning in 2007 with a triumphant concert in Portland Maine's Monument square in front of over 6,000 fans. Three months after that, Rustic Overtones began work on a new record.. Two years later "The New Way Out" is finally complete and standing behind it is a smarter, stronger and, in every way, more refined band than the one who carried the same name in 2001.
On TNWO there are many departures from the traditional approaches the band and it's fans are accustomed to. With the absence of Albee, a four and a half year hiatus and a maturing musical climate within the band, there was a very strong sense that Rustic Overtones needed to be destroyed in order to rebuild. After not having approached the task of a new record in almost seven years, and with bassist Jon Roods serving as resident engineer, the band worked without creative limitation or time constraints for the first time in their career. This can often be a curse but The Overtones worked feverishly and with focus. What was once an auto mechanic garage became a remodeled and soundproofed retreat where no labels were waiting for a "hit" or a "single" and seven creative minds were able to make their music in it's most honest and pure form. Essentially, Rustic Overtones was for the first time making a record which was motivated by nothing but a love for creation, expression and each other.
In addition to the six remaining original members, the band called apon 15-20 of their peers from Portland, Maine's widely slept on and prolific music community to play anything from additional horns and strings to timpanis, steel drums and back-up vocals, giving the the record a strong sense of the community and character of the very scene that they've worn on their sleeve for 15 years.
Day in and day out, Gutter wrote lyrics to his guitar changes in the driveway, Jon recorded his own bass between drum takes, and trombonist Dave Noyes took the rhythm bed's and scored them masterfully into rich orchestral backdrops for Zoidis, Ward and oftentimes half the city of Portland's musicians to record with the band. Over and over, an idea was born and was patiently brought to fruition. One by one, with careful deliberation, and called finished no sooner and no later than it was meant to be. For the first time there were no high stakes, no "big chance". No pressures or distractions, Nothing. Absolutely nothing to lose... It had all been destroyed in the fire..
What stands in its place is the sound of a band who after 15 years are still finding that their best work lies ahead of them. In September of 2009 a new record, a new era, and a new way out had all dawned on the same day.
Rustic Overtones "The New Way Out" is being released the week of November 10th and is currently being added in heavy radio rotation in their thriving northeastern markets to WCYY, WCLZ (Portland) WEQX (Mass, NY and Vermont) and WBRU (Providence, Boston)
Rustic, Your page is looking so fresh, I dig it! I also LOVE the new album, and just added New Way Out to my profile playlist... See you guys on New Years Eve! xoxo Penny Lane
the botanists <3 the overtones!! SO glad you guys are back. (yes, i'm a little slow on the uptake, but i could probably listen to nothing but rooms by the hour for another 5 years if i had to...)
just got back from PPAC to see Ray Lamontagne and had never heard of u guys but left with the key to adore cd and new way out... dave,beautiful performance..frickin loved it,yeah i was the loud one being heard over the zombies,hope to see u perform again soon
Holy Moly! What a treat to see Dave Gutter open for Ray LaMontagne at the Wang this week! Such an excellent performance...thanks so much! See you in Portsmouth on Nov 18!!!
Im coming from colorado for my 2-week vacation in maine. i don't know if i'll make it to bangor on the 6th, but i'd like to. i still remember the 1st time i saw you guys probably at lobsterfest in rockland, then met you at WUMF FM where i was working.. and gave me the viva nueva DEMO! wild history!!!!!
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Great show last night at the Opera House! This vid. belongs to you...hard to hold still on the dance floor!!! Now I'm thinking I'll come see you at Stone Church next week... Rustic Overtones
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