BANDS:
ANY WILD AND OBSCURE ROCK 'N' ROLL FROM THE 1960's, THAT'S ONLY LEGEND IS A BEAT UP 45 RECORD OR SUMTHIN' IN BETWEEN. 4th Amendment, 5 Cards Stud, 13th Floor Elevators, 49th Parallel, 50th Anniversary Zoo, A-440, Abstracts, Adrian Lloyd, Al's Untouchables, Ambertones. American Zoo, Apollos Apaches, Art Guy, Baby Huey & The Babysitters, Badd Boys, Baker Street Irregulars, Banshees, Baskerville Hounds, Basooties, Bassmen, Beau Allen, Beau Hannon, Beau Havens, Beaux Jens, Beaver & The Trappers, Beep Beep & The Roadrunners, Beer, Bees, Beethovens Four, Big Beats, Big Town Boys, Billy Batson, Billy & The Kids, Billy McKnight & The + 4, Birdwatchers, Black Sheep, Blues & Things, Bo Allen, Bobby Brelyn, Bobby Fuller Four, Bobby J. & The Generations, Bobby Jameson, Bobby Roberts & The Raevons, Bojax, Botumless Pit, Bourbons, Boy Blues, Brand "X", Brave New World, Brothers & Sisters, Buck Rogers Movement, Bunker Hill, Burgundy Run, Bush, Butch Engle & The Styx, Byron & The Mortals, Canadian Rogues, Canadian Squires, Cartakers Of Deception, Carrolls Mood, Cavaliers, Cave Dwellers, Cavemen, Ceeds, Celler Dwellers, Centrees, Chapter VI, Chentelles, Cheques, Cherry Slush, Children, Children Of The Mushroom, Children Of The Night, Chimes, Chosen People, Chris Allen & The Goodtimers, Chylds, Classic 5, Claytons, Clease, Clefs Of Lavender Hill, Clockwork Orange, Cloudwalkers, Cobras, Cole & The Embers, Colony, Commons LTD, Communication Aggregation, Cosmic Tones, Country Classic Esquires, Counts IV, Crumpets, Cyclones, D.C Drifters, Dagenites, Dalek: & The Blackstones, Dan Curry & The Mentors Of Soul, Dany Wyant, Dave Myers & The Disciples, Dean Carter, Dean Kohler, Dee & Tee, Deepest Blue, Defiant 4, Denise & Company, Destiny's Children, Dewayne & The Beldettas, Dick Curtis, Dirty Shames, Dirty Wurds, Distant Cousins, Don & Jerry & The Fugitives, Don & The Agitators, Don Norman & The Other 4, Dr. T & The Undertakers, Dry Gins, Dutch Masters, Dynamic Nutones, Echoes Of Carnaby, Eddie & The Showmen, Eggheads, Electric Train, Emergency Exit, Enchanted Forest, Epics, Esquires, Evergreen Blues, Evil, Evil Inc. Group, Fabulous Pharaohs, Fading Tribesmen, Fairviews, Faros, Felicity, Fenwyck, Fever Tree, Fifth Order, Five Hungry Men, Five More, Florian Monday & His Mondos, Flower Children, Foul Dogs, Frank Ventura & The Crescents, Free Thinkers, Frog & The Toads, Furniture, Galaboochees, Gaylon Ladd, Gee Tee's, Georgy & The Velvet Illusions, Gil Batemen, Gin Gillette, Go-Betweens, Godfrey, Good Feelins', Grains Of Sand, Green Beans, Green Slime, Grotesque Mommies, Ground Floor People, Growing Pains, G's, Half-Pint & The Fifths, Harvey Russell, Hatfields, Haymarket Riot, HB & The Checkmates, Henchmen VI, High Numbers, Hogs, Holocaust, House Of Commons, Hugh McCracken & The Fanatics, Huns, Hush Puppies, Insex, Iron Horse, It's All Meat, It's Us, J. Michael & The Bushmen, J.D Blacfoot, Jack & The Beanstalks, Jack & The Rippers, Jackasses, Jaguars, James T. & The Workers, Jamie Lyons, Jay Telfer, Jelly Bean Bandits, Jerry & The Landslides, Jerry & The Others, Jerry & The Playmates, Jerry Raye, Jim Harpo Valley, Jimmy & The Offbeats, Jimmy Rabbit, Jody Dalton, Joe Degrinda, Joey Gee & The Come-ons, Joey Vine, John Browns Bodies, John English & The Lemondrops, John English & The Heathens, John Fred & His Playboys, Johnny's Uncalled For, Jolly Green Giants, Ju Ju's, Judge & Jury, Just Too Much, Just Two Guys, Kama-Del-Sutra, Kaynines, Keggs, Keith Allison, Keith Green, Keith Kessler, Kempy & The Guardians, Ken & The Fourth Dimensions, Kenny & The Kasuals, Kenny Shane, Kim Fowley, King James & The Royal Jesters, Kit & The Outlaws, Knight Riders, Landlords, Larry & The Blue Notes, Larry Mack, Last Knight, Laymen, Leo & The Prophets, Levis, Lil Boys Blue, Limey & The Yanks, Lindy Blaskey & The Lavells, Little Phil & The Night Shadows, Little Willie & The Adolescents, Livin' End, London & The Bridges, Long John & The Silvermen, Lonnie Duvall, Lord & The Flies, Lou Capri, Lou Reed & The Primitives, Lunduns, M.G & The Escorts, Mad Mike & The Maniacs, Malibus, Maltese, Man-Dells, Matthew Moore Plus Four, Me & Them Guys, Mercy Boys, Michael & The Messengers, Mike Evans, Mike's Messengers, Miller Brothers, Mods, Monocles, Motor City Bonnevilles, Mouse & The Traps, Moxies, Mr. Lucky & The Gamblers, Murphy & The Mob, Mustangs, Mystic Number National Bank, Mystics, Nervous Breakdowns, New Colony Six, New Wing, Nick Hoffman, Night Mist, Night Riders, Night Crawlers, Noah's Ark, Nobody's Children, North Atlantic Invasion Force, Odds & Ends, One Way Streets, One-Eyed-Jacks, Oshun, Other Half, Otherside, Outlaw Blues, Paul Bearer & The Hearsemen, PB And The Staunchmen, Pepper & The Shakers, Pete Morticelli, Peter & The Rabbits, Peter & The Wolves, Petrified Forest, Pharaohs, Phil & The Frantics, Piece Kor, Plato & The Philosophers, Positevely 13 O'Clock, Psycho, Pubs, Puddin' Heads, Purple Haze, Question Mark & The Mysterians, Quests, R. Rogues, Rain, Ralph Neilsen & The Chancellors, Randy & The Radiants, Randy Alvey & The Green Fuz, Randy Fuller, Randy Johnson, Ravens, Reasons Why, Red Beard & The Pirates, Richard & The Young Lions, Richie Bruce, Rick & The Rivals, Riots, Ritchie Dean, Rob Kirk & The Word, Robin & The Seven Hoods, Rocky & The Riddlers, Ronnie Rice & The Silver Bullet Band, Roy & The Bristols, Roy Head, Roy Junior, RPM's, Saharas, Samy Phillip, Satan & The D-Men, Satans, Satans Breed, Satans Chyldren, Sean & The Brandywines, Senator Bobby, Senders, Serfmen, Shadden & The King Lears, Shades, Shadows Of Knight, Shady Daze, Shandels, Sheffields Gate, Silver Fleet, Sir Winston & The Commons, Skip Ellis, Something Else, Something Wild, Sonics Inc, Sonny Flaharty & Mark V, Sonny Villegas, Soul Trippers, Souls Of Britton, Souls Of The Slain, Sounds Like Us, Soup Greens, Spider & The Mustangs, Spiders, Spires Of Oxford, Split Ends, Spontaneous Corruption, Stairways, Stan Donn, Steve Carpenter, Steve France & The Veratones, Steve Lee, Steve Walker & The Bold, Symon Grace & The Tuesday Blues, Tangents, Teddy & His Patches, Teddy Boys, Terry Dee & The Roadrunners, Terry Knight & The Pack, Terry Randall, Terry Teen & The Tweaks, The 3rd Evolution, The 5, The 5 Canadians, The 12 A.M, The Aardvarks, The Abandoned, The Acoustics, The Alarm Clocks, The Amberjacks, The Answers, The Apollos, The Ascendors, The Ascots, The Atlantics, The Avengers, The Aztecs, The Aztex, The Backgrounds, The Bad Boys, The Bad Roads, The Bad Seeds, The Balloon Farm, The Ban, The Bandits, The Barbarians, The Barking Spyders, The Barracudas, The Basement Wall, The Bats, The Beaten Path, The Beatin' Path, The Beaver Patrol, The Beckett Quintet, The Bees, The Bel-Airs, The Benders, The Bends, The Berries, The Bethlehem Exit, The Black & Blues, The Blue Crystals, The Bold, The Bondsmen, The Boss Tweeds, The Bougalieu, The Boys Next Door, The Breakers, The Brigands, The Brogues, The Bruthers, The Brymers, The Bugs, The Burlington Express, The Caretakers, The Castaways, The Centuries, The Chancellors, The Chargers, The Chayns, The Checkmates, The Chessmen, The Children, The Children Of Darkness, The Chob, The Chocolate Balloon, The Chocolate Moose, The Chocolate Pickles, The Chocolate Watchband, The Choir, The Chosen Few, The Cicadelics, The Cindells, The Cindermen, The Cirkyt, The Cliques, The Clue, The Coachmen, The Cobwebs, The Continentals, The Cords, The Count Five, The Country Gentlemen, The Crazy Teens, The Creations, The Crucibles, The Customs Five, The Cynics, The Dantes, The Darelyks, The Dark Horsemen, The David, The Daybreakers, The Dearly Beloved, The Debonaires, The Del-Vetts, The Denims, The Descendents, The Different Parts, The Dogs, The Dovers, The Driving Stupid, The Druids, The Du-Cats, The Ebb Tides, The Echoes, The Edge Of Darkness, The Elastik Band, The Electras, The Electric Company, The Electric Prunes, The Elite, The Elite UFO, The Emperors, The Enemy's, The End, The Era Of Sound, The Escapades, The Ethics, The E-Types, The Exotics, The Fabs, The Fallen Angels, The Fanatics, The Fe-Fi-Four Plus 2, The Few, The Five Americans, The Five Of Us, The Fountain Of Youth, The French Church, The Fugitives, The Galaxies IV, The Gants, The Gentlemen, The Gentle-Men, The Gentlemen Wild, The Gentrys, The Gestures, The Glass Sun, The Godz, The Gonn, The Grapes Of Wrath, The Graveyard 5, The Great Scots, The Grifs, The Grodes, The Groop, The Groupies, The Hallmarks, The Hangmen, The Harbinger Complex, The Hard Times, The Haunted, The Headstones, The Heard, The Heart Attacks, The Heathens, The Henchmen, The Hides, The Hombres, The Human Beings, The Human Beinz, The Human Expression, The Humane Society, The Humans, The Hysterics, The Illusions, The Impact Five, The Inmates, The Inn Crowd, The Innsmen, The Interns, The Intruders Five, The In-Vaders, The Invasion, The Jagged Edge, The Jammers, The Jay-Bees, The Jesters Of Newport, The Journeymen, The Kidds, The Kings Ransom, The K-Otics, The Landels, The Last Word, The Legend, The Lemon Drops, The Litter, The Little Boy Blues, The Live Wires, The Living Children, The Lollipop Shoppe, The Looking Glasses, The Lost Generation, The Loved Ones, The Luv Bandits, The Lyrics, The Mach V, The Magic Mushrooms, The Magic Plants, The Magic Reign, The Magicians, The Marauders, The Mark IV, The Merylnn Tree, The Merseylads, The Merseymen, The Mile Ends, The Modds, The Moguls, The Montells, The Moon Dawgs, The More-Tishans, The Morning Dew, The Mother Goose, The Motifs, The Motion, The Motivations, The Mourning Reign, The Movement, The Movin' Morfomen, The Myddle Class, The Mystic Five, The Mystic Tide, The Mystics, The New Fugitives, The Nightcaps, The Niteriders, The Noblemen, The Nocturnals, The Nomads, The Novas, The Old Exciting Scot Richard Case, The Olivers, The Omens, The Ones, The Opposite Six, The Orange Wedge, The Other Half, The Others, The Outcasts, The Outer Limits, The Outspoken Blues, The Oxford Circle, The Painted Faces, The Painted Ship, The Palace Guards, The Pandas, The Passions, The Pattern, The People, The Perils, The Pilgrimage, The Pilgrims, The Plague, The Plastic Blues Band, The Pleasure Seekers, The Preachers, The Precious Few, The Premiers, The Primates, The Prodigal, The Pseudos, The Pulsating Heartbeats, The Purple Underground, The Quarrymen, The Quid, The Rationals, The Rats, The Ravenz, The Raves, The Ravin' Blue, The Raymarks, The Ready Men, The Rear Exit, The Rebounds, The Red Dogs, The Reddlemen, The Regiment, The Remaining Few, The Remains, The Retreds, The Rising Tides, The Rites Of Spring, The Road, The Road Runners, The Rock Garden, The Rogues, The Rogues Five, The Rollin' Ramsaxes, The Romancers, The Ron Wray Lightshow, The Ron-De-Voos, The Royal Flairs, The Ruins, The Rumblers, The Rumors, The Sands Of Time, The Satisfied Minds, The Savages, The Savoys, The Scotsmen, The Scurvy Knaves, The Second Helping, The Seeds, The Seeds Of Time, The Shades Of Night, The Shadows Five, The Shag, The Shames, The Shandells, The Sheppards, The Sherwoods, The Shy Guys, The Sires, The Sloths, The Snails, The Social Outcasts, The Sonics, The Sons Of Adam, The Sons Of Barbie Doll, The Soul Vendors, The Sound Barrier, The Sounds Of Randall, The Spades, The Sparkles, The Spats, The Specters, The Spectrums, The Squires, The Standells, The Starfires, The Starlites, The State Of Mind, The Stereo Shoestring, The Steve Peele Five, The Stoics, The Stompers, The Strangeloves, The Swamp Rats, The Sweet Acids, The Syndicate Of Sound, The Syndicate, The Tamrons, The Tasmanians, The Tempo's, The Thingies, The Things To Come, The Third Bardo, The Third Booth, The Thunderbolts, The Tigermen, The Torquays, The Trademarks, The Travel Agency, The Tree, The Tribe, The Trojans Of Evol, The Tropics, The Tumblers, The Ugly Ducklings, The Undecyded, The Undertakers, The Uniques, The Unknowns, The Untamed, The US Four, The Vandals, The Vectors, The Vejtables, The Vestells, The Viceroys, The Village Outcast, The Villians, The Vydels, The Wailers, The Wanted, The War-Babies, The Warlords, The Weird Street Carnival, The Werps, The Why Four, Thw Wild, The Wild Knights, The WordD, The Wyld, The X-Cellents, The Yardleys, The Yo Yo's, The Young Men, The Zephyrs, Thee Midniters, Thee Saints & The Prince Of Darkness, Thee Sixpence, Theze Few, Things, Things To Come, Thursday's Children, Tiffany Shade, Tikis, Time Stoppers, Tom Thumb & The Casuals, Tombstones, Tommy Jett, Tonto & The Renegades, Traits, Trans-Atlantic Subway, Tremors, Trespassers, Treytones, Triumphs, Turfits, Twiliters, Ty Wagner, Tyme, Uncle Ben & The Wild Rice, Underdogs, Unrelated Segments, Vacels, Velvet Illusions, Von Ruden, W.C Fields Memorial Electric String Band, Warden & His Fugitives, Warlocks, We The People, We Who Are, Weejuns, Wet Paint, Wild Childs, William Penn & The Quakers, Worlocks, Wrong Numbers, Ye Court Jesters, Yesterday's Children, Young Executives, Young Lions, Zakary Thaks, Zone V, Zorba & The Greeks. ETC!!!
Etkilendikleri
THE BEATLES, THE BRITISH INVASION, BO DIDDLEY, LINK WRAY, BLUES, R&B, ETC.
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The greatest fucking time you'll ever have hearing music!
Hello everyone, and welcome to "THEE Sixties Garage Rock Page". A page dedicated to featuring, "WILD & OBSCURE rock 'n' roll from the 1960's". This page was created by "Mario Aguayo". Everyone and anyone who likes what they hear is welcomed. I gotta give my thanks to those who in some way contribute to making this page possible. For example, all the fellow collectors who either compile comps themselves, blogs, and the awesome people who share their music with me. And of course, every 60's garage comp that's out there! Yes, I post up the tunes, but they all come from somewhere. Thanks for stopping by, stay crude!
Below are some facts on the genre that you might find helpful in your garage research. All taken from "Wikipedia," I did not write this!
The Pebbles series is an extensive group of compilation albums in both LP and CD formats that have been issued on several record labels, though mostly by AIP Records. Together with the companion Highs in the Mid-Sixties series, the Pebbles series made available over 800 obscure, mostly American "Original Punk Rock" songs recorded in the mid-1960's — primarily known today as the garage rock and psychedelic rock genres — that were previously known only to a handful of collectors. In 2007, the release of the Pebbles, Volume 11 CD marked the final album in the Pebbles series – nearly 30 years after the original Pebbles album was released in 1978. Including the Highs in the Mid-Sixties series, Best of Pebbles series, Essential Pebbles series, Planetary Pebbles series, and two box sets, close to 100 compilation albums have been released using the Pebbles name. Following on the heels of the success of the Pebbles series, dozens of other series of garage rock compilation albums have been started, with numerous albums being released each year for several decades. The name "Pebbles" is a diminutive of the name of the seminal Nuggets album of similar music; since in almost all cases, the recordings compiled on these albums were, at best, regional hits with little or no national exposure. By contrast, several of the bands presented on the original Nuggets compilation had one or more national hit songs, such as the Seeds, Blues Magoos, Electric Prunes, the Standells, Count Five and others. As additional albums were released under both of these names over the years, Nuggets albums tended to feature more familiar bands, while Pebbles albums usually unearthed virtually unknown recording artists or previously unreleased tracks by better known bands. The Pebbles series describes the recordings on their albums as "Original punk rock and psychedelic rock from the fabulous Sixties." These recordings were primarily made by the numerous American bands that were formed in the wake of the British Invasion. Essentially referring to the young age and lack of sophistication of the musicians, the term "punk rock" was coined (or at least popularized) by Lenny Kaye, who was involved in compiling the original Nuggets: Original Artyfacts from the First Psychedelic Era, 1965-1968. Some of the recordings of this type were credited to individual musicians, but most were made by young combos and rock bands that were typically composed of teenagers; and they almost invariably come from 45 singles. In many cases, the band would release a routine cover song of a well-known hit as the "A" side of a single and include a more interesting original song as the "B" side that would be more appropriate for inclusion on a compilation album. However, the wyld covers by some of the garage rock bands are as renowned as any of the original songs, and numerous cover songs have also been compiled on the Pebbles series. "Punk rock" is now mainly applied to several waves of bands that formed in the 1970s and later, and many of these bands cite the music on Nuggets and Pebbles albums as major influences. This type of music is now generally identified as the genres of garage rock, named after the practice venue that most young bands utilize, and psychedelic rock, since many songs were designed to be enjoyed while under the influence of psychoactive drugs such as marijuana and LSD. The original release of the first Pebbles album was on Mastercharge Records in 1978 and was circulated primarily among a small group of collectors in Australia, where interest in this obscure music first germinated. Only 500 albums were pressed with a pink and black pasted-on cover. (One radio playlist posted on the Internet mentioned a Pebbles, Volume 2 on Mastercharge, but this was probably an incorrect reference to the BFD release). The legitimacy of BFD Records was long in question. It was discovered in the early '80s that the creator of the Pebbles series was Greg Shaw (of Bomp! Records). Creating a bogus record label eliminated the worry of smaller record labels being able to find the creator of the Pebbles series and asking for royalties. In most cases, the records were produced in such small numbers that locating anyone regarding royalties would have been impossible. Beginning in 1983 (based ..right notices on the album covers, although their website maintains it was 1979), Bomp! Records created AIP Records in part to issue further volumes in the Pebbles series. In all, 28 LPs and 12 CDs have been issued in the Pebbles series under their auspices. Many of the LPs and CDs have basically the same catalogue numbers, and there is significant overlap in the tracks on the first 6 volumes on LP and CD — with the CD release of Volume 6 being shifted to the English Freakbeat series — adding to the confusion. However, the overlap is far from complete; Pebbles, Volume 5 is the sole CD that has all of the songs from the corresponding LP, and only about half of the surf rock tracks from the Pebbles, Volume 4 LP were released on that CD. When AIP Records revived the Pebbles series in 1983, the company was apparently more interested in documenting local music scenes than in scattershot groupings of American garage rock records, so the Highs in the Mid-Sixties series was begun concurrently, with a total of 23 volumes devoted to recordings from specific American cities, states and regions, as compared to the 18 volumes of AIP Pebbles LPs. What's more, 10 of the 18 LPs that AIP issued in the Pebbles series were compilations of recordings from continental Europe in the sub-series the Continent Lashes Back. More recently, AIP Records has begun the Essential Pebbles series and Planetary Pebbles series. According to the Bomp! Records website, the release of the Pebbles, Volume 11 CD in 2007 – actually several years after the release of the Pebbles, Volume 12 CD – represents the last album that will ever be issued in the Pebbles series. To their credit, when AIP began issuing Pebbles albums on CD, the albums included numerous recordings that were not as yet on the LPs. Also – after the release of the first six volumes on CD – all of the tracks on the Pebbles CDs had been previously un-reissued on CD. Even the first two releases in the Essential Pebbles series include a second CD of previously un-reissued music in addition to the distillation from the previous Pebbles albums. According to the AIP Records website, ESD Records (also known as East Side Digital) issued 4 volumes of CDs in the Pebbles series in 1989-1990. Though compiled by AIP, the tracks are almost completely different from those in the corresponding volumes of the LPs and CDs described previously (although a sizable number of the tracks on ESD's Pebbles, Volume 2 appear on both the earlier Pebbles, Volume 3 LP and the later CD reissue). Particularly on ESD's Pebbles, Volume 1, many of the tracks are either new to Pebbles or are buried on the higher-numbered volumes in the Pebbles series or Highs in the Mid-Sixties series. The albums had a limited run of only 1,000 each and are now difficult to locate; but, not surprisingly, the ESD and AIP CDs are often confused. One added bonus in the ESD CDs is that the excellent liner notes are written by Nigel Strange (who wrote liner notes for several of the BFD Records albums also). Besides these albums in the Pebbles series, the Pebbles name has been used in other Bomp! Records releases outside of AIP Records, and other LPs and CDs have been issued under this name, or similar names such as the Best of Pebbles series. A series was started in 1993 for release in Japan (complete with liner notes in Japanese), called the Great Pebbles series (although to date, only one CD has been released under this name). A 5-LP Pebbles Box of the first five volumes in the Pebbles series — always the most popular according to the AIP Records website — was made available in the United Kingdom several years also; while a similar CD box set came out more recently, called the Trash Box. However, in each case, the tracks on the box sets differ significantly from those on the individual Pebbles LPs and CDs. One outstanding feature of the Pebbles series are the detailed liner notes that are included on nearly all of the albums, dating back even to the original release on Mastercharge Records. On the AIP Records releases and most of the others, they provide what little information is available on the artists on the album (and/or the general music scene that led to the recordings), though the printing on the original 45 disc is often the extent of it. On the other hand, the tongue-in-cheek liner notes on the Pebbles, Volume 2 LP that were credited to "A. Seltzer" are a nearly incoherent rant on garage rock that still provide some info on the bands, along with observations ranging from blunt – "These guys were the losers in a scene where Question Mark & the Mysterians were the winners; they were such bad news that even the likes of the Trashmen looked down on 'em" – to simply over-the-top: "My pick for the Grammy this year is 'Green Fuz' by Randy Alvey & Green Fuz, which has to be the rottenest recording ever made but has more honest-to-Howard Cosell energy than anything the wimpy Sex Pistols ever dreamed of puking up." The two-part pseudo-scholarly exposition on the Pebbles, Volume 7 and Pebbles, Volume 8 LPs took British Invasion musicians to task, accusing them all of being throwback, "dance hall" bands and coming to the bizarre conclusion that Tiny Tim represented the peak of popular music. Volume Two also features a humorous series of fictional LPs available on the BFD label, such as Sid Vicious Live at Folsom Prison. While the liner notes on the BFD Records were more conversational and commented as often on the music as on the musicians, AIP Records brought a touch more scholarship to theirs — though not without the same often playful spirit — and usually provided more information on band members and future bands. There was also a stock liner notes section on many of the AIP albums that closed with: "Truly this was the pinnacle of rock and roll, and until something comes along that surpasses it, we can only sit back and wonder at how great innocence can be." As with the liner notes, BFD Records only occasionally provided information on songwriters and release dates of the recordings that were being compiled. AIP Records was more attentive to these details and also provided the record label and catalogue number in many cases, particularly on the CDs. On the other hand, the word "the" was dropped from almost all of the band names on the track listings for the AIP CDs. In keeping with the lo-fi nature of the recordings, many of the early Pebbles LPs had black-and-white covers, and none were issued with full-color covers. The BFD Records album covers were noted for the crazed drawings and strange photographs, which were carried forward into the first few releases by AIP Records, although most of their releases had more conventional covers (such as a photograph of one of the bands represented on the album).
Sixties Garage Rock Page ™ | Arkadaşlar (En İyi 32)
Hey company estem recopilant material audio-visual per reeditar, que aquesta divertida banda de Punk-Oi!-Hardcore, va fer entre 1.987 i 1.999. Els autentics TOY DOLLS de Barcelona!!!
PEEPSHOW MENAGERIE is THIS WEDNESDAY, November 18th, at Bordello in Los Angeles!
(click on the poster for show details!)
See a Riotous and Ribald Burlesque Show of International Proportions in a tribute to the "Road Films" of Bob Hope and Bing Crosby...but not just with a couple of boobs (IE: Our hosts); but a whole cast of Burlesque Stars!
NEWS FLASH!: Just Added! Special Surprise Secret Guest To Be Announced at the show!!!
NOTE: Please note that portions of this show will be taped for a German Television show.
thanks for the kind comment I am posting the album as I record it,day by day in real time,its like having myspace in the back room with me passing comments once its finished I will gladly send you a copy,thanks for your interest,James
Online!
