Saxophonist
Composer
Music Arranger
Lyricist
MC / Rap Artist
Educator
Actor
Born in London, England in 1978 to a Barbadian father and British-Jamaican mother, Soweto Kinch is one of the most exciting and versatile young musicians to hit the British jazz scene in recent years.
He first became interested in music at the tender age of eight, playing clarinet at primary school. He quickly developed a fondness for the alto saxophone and was given his first instrument when he was nine. After meeting Wynton Marsalis four years later he discovered and became passionate about jazz, first concentrating on piano and later, in his teens, focusing on alto saxophone.
Soweto's musical influences are as broad as they are diverse. He particularly admires Sonny Rollins for his innovative style and successful appropriation of West Indian music within the jazz canon. Most recently, Soweto has been influenced by baroque and early classical music due to an interest he has in the 17th and 18th century black population of Britain. He is keen to reconstruct the African and classical influences that this community would have had.
As an alto player, Soweto is rapidly developing his own sound which is rich, energetic and dynamic and though he clearly has a strong respect for tradition, he is continually exploring his jazz inheritance. In 2001 he established the Soweto Kinch Trio - with bassist Michael Olatuja and drummer Troy Miller, both exceptional young players - which supported Courtney Pine at the former Ronnie Scott's Jazz Club, Birmingham and performed at the Royal Festival Hall and Cheltenham International Jazz Festival. His aim with the Trio was to move audiences with the simplicity of his band and to discover the breadth of sounds and dynamics he could achieve with these basic elements.
At the end of 2002, Soweto began work on his début album, extending his band to quartet status with the addition of guitar (Femi Temowo). Working with Dune producer, Jason Yarde also a brilliant alto sax player, composer and arranger, and leader of J-Life he created a stunning album which brings together his love of jazz and hip-hop. On Conversations With The Unseen (Dune Records, DUNECD08), he brings Charlie Parker and Q-Tip into the zone, combining straightahead jazz with funky hip-hop and rap vocals.
Conversations With The Unseen was released on Dune Records in April 2003 and launched Soweto on his career as a solo artist, winning a Mercury Music Prize for An Album Of The Year 2003, and earning him the MOBO Award for Best Jazz Act 2003.
Urban Music Awards Best Jazz Act 2004
BBC Radio Jazz Awards Best Instrumentalist & Best Band 2004
Peter Whittingham Award Jazz Innovation 2004
Mercury Music Prize An Album Of The Year 2003
MOBO Awards Best Jazz Act 2003
BBC Radio Jazz Awards Rising Star 2002
White Foundation International Sax Competition/
Montreux Jazz Festival International Young Saxophonist Of The Year 2002
One of the freshest and most exciting prospects to emerge through British music for years. HIT sheet
'A distinct and commanding way of looking at jazz, at hip hop, and at the whole performance situation. Mr Kinch demonstrates what England has to teach us about narrative hip hop [and] has one of the best sounding new jazz groups Ive heard lately. Dont sleep on Mr Kinch.' The New York Times
If theres anyone who still believes that musicians from other nations dont swing as hard as Americans, this group should convince them otherwise. Soweto Kinch is that good. allaboutjazz.com
One of the most exciting new voices in British jazz boiling the mix from straightahead to hip-hop with a fresh precocious creativity. Echoes
Fresh sound, aggressive virtuosity and raw, bluesy energy mark him out as an outstanding player. Jazzwise
Simplky explosive. Promoters, media and audiences are suggesting him as a major new star. Jazz Review
Soaring, risk-taking playing. The Times
A spectacular musician. The Observer
Simply explosive. Promoters, media and audiences are suggesting him as a major new star. Jazz Review
One of the best and most original British jazz albums ever made. Jazzwise
A new British original with the confidence, skill and vision to take the music far. The Guardian
Safe Soweto Howz It Goin Aint Sin U Since Risin Stylez Hope Everythin Sweet New Track From My L.P Called DVDz Up On My Playa Parse Thru When U Gotta Min ...........Peace
hello, so as you can tell from my none-too-subtle name change, I have two new songs up on my page. I'd be delighted if you would swing by and check them out. Hope you don't mind me dropping this as a public comment. Thx
Managed to grab a mate of mine to come with me to Late-Night Light Night next week and we are both muchos looking forward to hearing the different acts that are down to play - as well as you, of course!
It's great that the Town Hall are able to put on a free event like this; with the light display as well, it sounds like this is set to be quite a spectacular occasion!
Hope you're well, and can't wait for Basement Fables!
my brother. Never got round to calling about that Cargo show, hope it went well. me and Crugs just cut a Broken Language dub today, been months in the making, drop by ASAP and lemme know what you're feeling on it! We need to hit that studio asap boy! peeeeeace, Rowan
Had to pass through and comment on your music- too sick!! The world health organisation is gonna be knocking sun. 'Everybody raps' is one of the dopest tunes in the hiphop world. When's your next show in Byzantium?
Looking forward to the gig on Friday! Am travelling down from Scotland that day, so hoping my energy levels will be ok for the gig! Can't wait to hear the new material!
