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Stackridge:
The Missing Jewel in the Crown That Is British Pop Music
Press “Play”:
In 1969 a disparate band of young musicians found common ground in the Bristol/Bath musical stew and gathered together in a group called “Stackridge Lemon”. With a constant flow of changing line-ups, finally by late 1970 “Stackridge” (having dropped the “Lemon”) were Andy Davis/James Warren/”Mutter”Slater/”Crun”Walters/Mike Evans/and Billy Sparkle. Already their somewhat eccentric mix of witty, often poignant lyrics, memorable melodies, extended instrumental passages and self effacing stage presentation was catching the attention of the Music Press and the live gig circuit.
It was this line-up that constantly toured the U.K. for the next three years, slowly building a fanatic following and releasing 3 Albums on M.C.A Records-the eponymous “Stackridge”, followed by “Friendliness” and then in 1974 the George Martin produced “The Man in the Bowler Hat”. With this triumphant masterpiece, regarded by many to be George Martin’s finest creation outside of his Beatles canon, the band seemed to be poised to make the final breakthrough to the upper echelons of stardom already attained by less talented contemporaries like Genesis and Supertramp.
Alas it was not to be. Cracks began to appear in their once tight knit family, and the original Stackridge imploded. A succession of line-up changes served to confuse both the public and music critics alike, and although in many ways the new intake of musicians were technically superior to their predecessors and presented sleeker, more professional concerts, the band lacked the charisma and charm of the original band.
Mishandled and misunderstood by their new Record Label (Elton John’s “Rocket” Records) and misdirected by a new Management Team, the band did record two more critically acclaimed albums, “Extravaganza” and “Mr. Mick” before finally splitting up in 1976.
Press “Pause”;
Going their separate ways, the individuals continued to make music during the 1980’s and 90’s, James and Andy gaining noticeable success as Electro-Pop Balladeers The Korgis with two Hit Singles including the Warren penned “Everybody’s Got To Learn Sometime”. “Mutter” Slater pursued his love of gutsy ,soul based Rock,n,Roll with various bands in his native Dorset, and Mike Evans’s prodigious musical talent saw him add his violin to everything from classical to folk music. “Crun” Walters bass guitar could be heard enhancing various Jazz and Soul Bands.
Press “Play” (again);
It was Evans who delighted the still devoted followers of the band when he persuaded James and “Crun” to form a revamped version of Stackridge in the late 90,s. With a group of fine musicians behind them these three performed a series of gigs, which not only included classic songs from the large back catalogue, but featured much new material from the fertile pen of Warren. With the first new album in over 23 years (1999’s “Something for the Weekend”) and appearances at the Glastonbury, Cropredy and Trowbridge Festivals Stackridge entered the new millennium in fine fettle. Via the Internet those aficionados, who had never given up on the band found they were not alone as various fan based chat groups and websites testified to their lasting appeal. Sadly Management problems caused this unit to grind to a halt and once again the Stackridge story seemed to have reached an untimely end.
Press “Fast Forward” (to 2007):
Encouraged by the response at a series of gigs he performs as “James Warren and Friends” , a line-up which includes stalwart bass guitarist “Crun” Walter,keyboard player Glenn Tommey and drummer Andy Marsden (both one time Korgis backing musicians), James rekindles the idea of another Stackridge reunion. This time however he is successful in persuading Andy Davis And “Mutter” Slater to be fully involved and at long last the original front-line from 1970 embark on a series of club and concert appearances during 2007. With the entire back catalogue of albums re-released on Angel-Air Records , plus a “Best Of” Compilation and a live concert DVD, filmed in April 2007, and rave reviews in both the National and Local Press, the Stackridge band wagon gathers pace again. The band will enter the studios in early 2008, under the guiding hand of producer Chris Hughes (Tears For Fears/Robert Plant etc) and a new album will be released in midsummer. With an expanding gig diary ,supporters in the media, and an increasing fan base 2008 promises to be , at last .........the year of Stackridge.
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