TABOU COMBO

Bio:

TABOU COMBO IS AUDITIONING VOCALISTS

Tabou Combo is seeking a promising young vocalist to front the band. The ideal candidate should be enthusiastic, has good stage presence, be between 18 and 35 years old, and be able to travel outside of the U.S. If interested at all in joining the world most popular konpa band, contact Yves Joseph at zafentabou@gmail.com to set up an audition.

THE MUSIC

"Rhythm is the essence of Tabou Combo," says Tabou Combo's co-founder and ex-drummer Herman Nau. The infectious rhythm of Haiti's national dance music, Konpa (con-pah), has propelled the country's preeminent dance band around the world. The 12 members of the band have covered many territories since leaving Haiti and relocating to New York City in 1971. By that time, Tabou had already established itself as Haiti's number one group, and as the "Ambassadors of Konpa." Tabou Combo now has worldwide fans and followers from London to Paris, Holland, Switzerland, Japan, South America, throughout the Caribbean and in North America.

It is easy to understand why Tabou Combo's relentless and high-energy style of Compas dance beat knows no language barrier. Singing in English, Spanish, French or their native Creole, Tabou serves a hot mix of grooves and textures with roots from around the world. You will hear a strong dose of the Dominican Republic's national dance music, meringue. In addition, there is Haiti's dance-till-you-drop carnival music, rara, the hypnotic drums of Haitian voodoo rituals. Add to that quadrilles and contra-dances from Haiti's French colonizers and funk from the American soul era to James Brown for good measure. The mixture of all these influences makes for a serious bass line that brings new meaning to the word bottom; layer upon layer of accents courtesy of drums, percussion and congas; the constant intertwining of two guitars with the feel of West African Soukous topped with bright piano riff and the brassy sound of a 3-man horn section.

THE BEGINNING

Tabou Combo got started in 1968 in Petion-Ville, a town just outside Port-au-Prince, by Albert Chancy and Herman Nau and some friends, all in their teens. They began by naming themselves "Los Incognitos", because they were unknown at that time. They changed to Tabou Combo in 1969, in order to bear a name closer to the Haitian culture. That year, the band won first prize in a televised talent contest, gaining a national reputation in Haiti, and by 1970 it was one of the island's leading bands. Then the Chancy's parents stepped in, and Albert, the band's guitarist and original leader was sent to college in Montreal, and gave up music. The band dissolved and its members drifted to the United States. Early in 1971, however, an unexpected meeting led to a Tabou reunion with rhythm guitarist Jean-Claude Jean as the leader and the band has been together, with a few changes, ever since.

THE SUCCESS

It was 1974 when the band captured Europe's attention with its million selling hit single NEW YORK CITY. Tabou steadily has been building its international followers ever since. The 1989 release, AUX ANTIILLES (The Antilles), topped European and Caribbean charts for six consecutive weeks. AUX ANTTLLES also won Best Album for Haitian Dance Music at the 1991 1st Annual Caribbean Music Awards at New York City's famed Apollo Theater. Tabou's release, KITEM FE ZAFEM (Let Me Do My Things), was voted among Beat Magazine's Best of 1988. In 1989, KITEM FE ZAFEM, along with ZAP ZAP were used by the film director Jonathan Demme in his movie MYSTERY DATE. The song JUICY LUCY was chosen by French movie maker Maurice Pialat for his movie POLICE (1985). In 2002, world known guitarist Carlos Santana recorded the song MABOUYA (Foo Foo) on his album SHAMAN.

After traveling around the world with Tabou, Fanfan, the band's main songwriter, says he has found that people everywhere are all the same and they all love music. TABOU COMBO seduces the people with rhythm that does not let go. Konpa's unrelenting dance beat is contagious and there are plenty of witnesses. Many of the thousands of TABOU COMBO fans around the world eagerly will testify... that is, if they can stop dancing long enough to talk!

Tabou In Panama

Donald and Yves Abel in Amsterdam, Holland

Dany P.

Gary Josama, Dadou Pasquet, Ralph Conde, and Albert Chancy

Tabou In Japan

Kapi with Carlos Santana

Tabou In Belgium

Member Since:

January 26, 2007

Members:

Roger "SHOUBOU" Eugene - Lead vocal

Yvon "KAPI" Andre - Percussion, vocal

Yves "FANFAN" Joseph - Background vocal

JEAN-CLAUDE JEAN (Kok)- Rhythm guitar

YVES ABEL (The Fridge)- Bass

DENER CEIDE - Solo guitar

REY VALME - Congas

ROBENSON (RJ) - Drums

ANDRE ATKINS - Trombone

KEN WATTERS - Trumpet

CURTIS EBY - Trumpet

Influences:

Tabou Combo live in Dominica - 2003

Tabou Combo live in Haiti - 1984

Tabou Combo live in Haiti - 1984

Sounds Like:

SOME QUOTES ABOUT TABOU COMBO

Their infectious, indigenous rhythms have been rocking audiences from Japan to Panama, Paris to Miami for more than three decades. They are the original ambassadors of Haitian music, having played almost every major world festival, taking compas music (pronounced like its Haitian Creole spelling, kon-pa) where Celia Cruz took salsa.
Miami Herald

An irresistible live band, Tabou Combo takes Haitian compas to the widest of audiences. From their regular appearances in the '80s at the famous Zenith Theatre in Paris, to an audience of 20,000 in New York's Central Park, to the Jazz and Heritage Festival in New Orleans, in football stadiums throughout the Caribbean, and on the turntables of the top DJs, this band makes people dance. Influenced by funk and soul in their adopted home, Tabou took on the likeness of the Commodores on the covers of their late-'70s releases. They even made a demo tape with hopes of a Motown contract. Their desire to reach the Black US market remains unsatisfied, but they should be proud that popular musicians such as Kassav' from the Antilles/Paris and Wilfrido Vargas from the Dominican Republic have absorbed their music.
Richard Lieberson, All Music Guide

"They (Tabou Combo) have done it all, movies, Hollywood, not even Wyclef Jean has that kind of reputation. To me, Tabou Combo is the all-time blueprint of what Haitian music should have followed."
Papa "Altino" Jube

After traveling the world and having numerous hits reaching Europe, Africa, Asia and the Americas, TABOU COMBO has proven to be one of the most recognizable and influential Haitian bands on a global scale. They are the indisputable "Ambassadors" of Compas...
HaitiXchange

We were in New York, playing every Saturday at different clubs and church basements, that kind of stuff, and some Haitians in Europe, they started sending us letters saying, 'Hey, guys I'm hearing you all over the radio. I mean, white people's radio! What's going on?...' ''
Fanfan in the Boston Globe

Record Label:

Unknown Indie