The Squires of the Subterrain springs from the do-it-yourself, lo-fi
(but certainly not low-quality) pop ingenuity of a single man,
Christopher Earl (born Christopher Earl Zajkowski), a fixture on the
1990s underground pop scene of Rochester, NY. Throughout the
decade, while playing in numerous combos and side projects,
Earl was creating some quirky and brilliant pop informed by the
most far-out '60s work of the Beatles, Zombies, Kinks, and particularly
Brian Wilson, on the sly in his basement (hence the derivation on
"subterranean") lair and releasing it on a series of acclaimed
cassettes as the Squires of the Subterrain.
Earl began playing drums in 1979 with a group of high school friends
that eventually morphed over the course of the next decade into the
Essentials, and then, by 1992, into five-piece dance-rock band the
Salamanders; the other primary members were guitarist Gregory
Townson and bassist Todd Bradley, with Earl's younger brother and
two of Bradley's siblings joining at various times. The Salamanders
developed a sizable local following and even had the opportunity to
play with some members of James Brown's great '60s band. They
released a debut full-length, Livestock in the Living Room, in 1992
on After Hours before ultimately dissolving in 1997 when a couple of
members quit.
In 1998 Townson returned and the trio reformed as rootsy rock & roll trio
the Hi-Risers. On the side Earl was playing in the '60s garage-type outfit
the Riviera Playboys. In 1998 he emerged relatively aboveground for
the first time with the release of his first Squires CD, Pop in a CD, culled
from a decade's worth of underground cassette releases. A year later he
left both the Playboys and the Hi-Risers to focus on his work as the
Squires of the Subterrain.
In 2000 Earl was approached by fellow pop eccentric and British
psychedelic legend Pete Miller (aka Big Boy Pete) with a tape of
songs that Miller had originally demoed back in 1966. Miller suggested
the Squires do the songs up full-blown and also expressed an interest in
collaborating and reworking lyrics. The project was recorded at the
end of 2000 with the help of The Hi-Risers and The Quitters. Since then
the Big Boy Pete/ Squire collaboration has continued with the
co-produced Strawberries on Sunday, Lemon Malarkey, and the new split CD Rock It Racket, brand new Spring 2007.
Thanks for the add. Great songs (especially 'Now I'm 64') with a wonderful British psych feel to them. This'll sure get all them 'gators stompin down in the swamp!
[TRANSMISSION BEGINS] . . . ocking our ultra-white socks off! Normally such disrespectful behaviour is met with the business end of our Laundroscopic bleach ray. However, we have run your music through the master computer aboard our orbiting LaundroLab and determined no further whitening is required . . . [TRANSMISSION ENDS]
Happy Holidays My friend! You supplied both a movie & the popcorn! Your a Class act pal! Hopefully more Gilligans music to share with you in '08. Seasons Greetings to you & yours. Thanks Chris,
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