That probably says it well enough. But in case further explanation helps, we’re talking about that intersection where Chuck Berry rock and George Jones country converge. We’re talking about love songs that veer off the beaten path with honest slices of rural imagery and humor.
It’s a place on the musical map that’s entirely familiar but just a little too rowdy, a little too much fun (and in truth, too rooted in tradition) to be called mainstream country
If you’ve heard Summar’s 2000 debut album, the critically acclaimed Trent Summar & The New Row Mob, or seen his raucous live act in recent years, you may already be a staunch farm rock adherent.
If not, there’s a good chance you know Summar by his work anyway. As a songwriter, he’s had cuts recently on quite a few records, including Billy Currington’s popular sophomore album, Doin’ Something Right (“She Knows What to Do With a Saturday Night”), and Gary Allan’s 2003 release See If I Care (“Guys Like Me”). “Love You,” which Summar co-wrote with pal Jay Knowles, is currently on the charts as a single for Jack Ingram.
All this brings us to Horseshoes & Hand Grenades, Summar’s latest recorded effort and his first with the Tex-centric independent label Palo Duro Records. It features several songs cut by other artists, including a take on “Love You” that will give fans of Ingram’s recording something new to chew on. “My daddy likes my version better!” Summar boasts.
While Summar’s sharp songwriting is a focal point of Horseshoes & Hand Grenades, one cover will likely catch listeners’ attention. It’s a punched-up treatment of the classic “He Stopped Loving Her Today.” Summar says, “It’ll probably make some people mad, some people smile. At least it gets a reaction.”
Several Nashville luminaries shine on the album, including Raul Malo, who contributes harmony vocals on “Guys Like Me,” and Brooks & Dunn steel guitarist Gary Morse, whose tasty playing can be heard throughout.
Horseshoes & Hand Grenades should propel Summar and his band toward a busy touring schedule in the coming months. His debut album (recorded with a different cast of musicians) certainly gave Summar the chance to get out on the road. While Music Row standards for record sales can be pretty outlandish, Trent Summar & The New Row Mob was by all reasonable accounts quite a success: It put him and his band on regular rotation on CMT. It got him a spot on the Grand Ole Opry. It led to tours of Europe and Japan — and Texas, where The New Row Mob’s sound earned Summar a fervent base of fans.
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