Rhian Sheehan, Shpongle, Lee Scratch Perry, Blue Tech, Diwata, Ott, Infected Mushroom, pitch black, Shulman, Tripswitch, cosm, younger brother, Spoonhead, solar fields mmmm, Digital Mystery Tour, Boards of canada, soul surfer!!!!, did i mention shulman?, phutureprimitive, vibrashpere, the bush, deep green things, the sun, the moon, space, the spaces between, wobbles and spirles, big chunky speakers, cool looking inscets and little burrows in trees, the source of the entire universe, and nice little grassy patches
風格近似
When your spinning round really fast and everything looks all liney and blured
Representing the downbeat side of electronic music, Andrew
Snook, a.k.a Invader Tron, writes in a variety of musical styles,
and often inter-breeds multiple genre's to create a hybridized
bulging mass of aural expression. From spacious soundscapes
to broken glitch-tech, synth driven psy dub and gaping
ambience, he uniformly attempts to create a strong
progressive habitat, and evolve along an organic musical direction.
>--------------------------------
Invader Tron will mostly be seen and heard in and around the
outdoor dance scene, that has evolved around the South
Island’s abundance of lush greenery and magical outdoor
locations.. He has performed at many major outdoor dance
festivals such as “Canaan Downs,” “Voyage,” and Many
“Massive” Solstice’s and Equinoxes. He has also had the
privilege of performing in Australia at the last two “Rainbow
Serpent Festivals,” which attract 10,000 plus punters. He takes
influences from such artists as Shulman, Blue Tech, Pitch Black,
Solar Fields and Ishq.
Also, by the way, Come Party!!! ||
... the sky is clearing, tender sunrays strike one's skin again, the air is fresh and clean and sometimes one can even watch a rainbow.
This situation represents pretty much the musical atmosphere of Krama's second album: Mighty bass structures form a clean and solid foundation, on which sunny melodies swash out of trancy depths, accompanied by forcing rhythm structures. Since 2001, Dimitris Violitzis and Elias Garanis from Greece have constantly developed their very own definition of Power Progressive Trance.
The epic flow of their music is inspired by their musical background, which includes minimal Progressive Trance on the one hand but also classical and Celtic music, New Age sounds and even some Metal.
The intense effectiveness of Krama's tunes could already been witnessed on many different Progressive floors where the two dudes always delivered excellent shows.
... the sky is clearing, tender sunrays strike one's skin again, the air is fresh and clean and sometimes one can even watch a rainbow.
This situation represents pretty much the musical atmosphere of Krama's second album: Mighty bass structures form a clean and solid foundation, on which sunny melodies swash out of trancy depths, accompanied by forcing rhythm structures. Since 2001, Dimitris Violitzis and Elias Garanis from Greece have constantly developed their very own definition of Power Progressive Trance.
The epic flow of their music is inspired by their musical background, which includes minimal Progressive Trance on the one hand but also classical and Celtic music, New Age sounds and even some Metal.
The intense effectiveness of Krama's tunes could already been witnessed on many different Progressive floors where the two dudes always delivered excellent shows.
