Bio:

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At once uplifting and otherworldly, the music of Ulrich Schnauss combines multilayered synthesizers with beats and ethereal vocals, serving as an aural escape route from the trappings of reality. As Schnauss explains, ‘I’ve always used making and listening to music as a way to escape – putting on headphones is a great way to leave reality behind for a while, reminding yourself why it still makes sense to carry on.’
Aside from releases under his own moniker, Schnauss also plays keyboards for Engineers, and Longview, and has lent his hand to the production of recent albums by Kirsty Hawkshaw and Exit Calm. Regularly enlisted as a mixer, remixer, producer, DJ, and artist in his own right, Ulrich Schnauss may use music as a way to escape, but today he seems firmly rooted in the business, albeit constantly pushing against its staid sonic boundaries. Born in 1977 in Kiel, Germany – a post-industrial seaport at the Baltic – Schnauss began improvising chord changes on an old piano in his parents’ flat; a process which remains the backbone of his songwriting to this day. Once settled on a basic chord structure, Schnauss combines programmed synths with layered basslines and rhythms, to consciously adorn each piece with certain emotions and textures.
The titles of Ulrich Schnauss’s studio albums to date – Far Away Trains Passing By, A Strangely Isolated Place, and Goodbye – hint at the artist’s backwoods background, growing up in the ‘cultural wasteland that is rural Germany’. Unable to find like-minded people to create music with, Schnauss’ aural vision became liberated by his discovery of the synthesizer, enabling him to create multilayered compositions on his own, with an aim to ‘translate the aesthetics of the ‘shoegazing’ sound into an electronic context’. Inspired by the alternative guitar bands of the late 80s/early 90s (Slowdive, Chapterhouse, My Bloody Valentine etc.) as well as Acid House and early electronica (Tangerine Dream, 808 State, The Orb), Schnauss began developing his own distinct sonic palette, melding delicate dreampop sensibilities with ecstatic electronic excess, defying the constraints of traditional music genre boundaries.
After a move to Berlin and a slew of ambient, beats-based releases in the latter half of the 1990s - under the pseudonyms View to the Future and Ethereal 77 - Ulrich Schnauss felt confident enough to employ a more freeform approach and began recording ‘little electronica pieces’, culminating in the first album released under his own name, 2001’s Far Away Trains Passing By. As if adhering to a ‘less is more’ ethic, Ulrich created an album which is by turns spare and yet awash with melody. 2003’s A Strangely Isolated Place develops Schnauss’ ambitions to capture the dense, oscillating shoegazing sound, pushing the use of layered, modulated synth patterns to euphoric sonic effect. The inclusion of Judith Beck’s vocals on tracks such as ‘Gone Forever’ and ‘On My Own’ lends a human familiarity to the music. 2007’s Goodbye sees his multilayered approach expanded to include a variety of live instrumentation and guest players, including members of Longview, Chapterhouse and Below the Sea plus vocals by Judith Beck and Schnauss himself. The album is unashamedly complex and daring in its layering of hundreds of separate manipulated synth tracks.
After an initial struggle to perform the unique, interchanging nuances of these tracks live, Schnauss’s discovery of Ableton software has enabled him to build new arrangements on the spot, lending diversity and distinction to each performance. ‘I can also react to the atmosphere of the room,’ he explains, ‘sometimes playing more ambient; sometimes more rhythm-orientated versions of the songs.’
Today, Schnauss expresses a renewed interest in more direct electronic sounds, and aims to substitute traditional verse-chorus-verse structures for more freeform atmospherics. Stripping back the orgiastic excess of multilayered instrumentation, Schnauss is currently working on an album which intends to celebrate the synthesizer – the long-time cornerstone of Schnauss’s sound - as a musical instrument in its own right.
Bio by Richard Milward

Member Since:

April 15, 2005

Members:

MANAGEMENT: vinita@rocketgirl.co.uk

Influences:

edgar froese/tangerine dream, chapterhouse, daniel lanois, sakamoto/yellow magic orchestra, pink floyd, propaganda, andreas vollenweider, brian eno, bernard edwards & nile rodgers, jean-luc ponty, cocteau twins, rosa precht, reinhold heil, slowdive, sylvian/jansen/barbieri/karn, holy ghost inc., andrew prinz/mahogany, monika dietl, shades of rhythm, tears for fears, lfo, stefan zauner, pete parsons/lucky spin recs, lush, biosphere, bukem/good looking recs, my bloody valentine, richard h. kirk, kate bush, manuel goettsching, alec empire, prefab sprout, unique 3/chill recs, sun electric, production house recs, joni mitchell, mark van hoen/locust, warriors dance recs, curve, herbie hancock, william orbit, quazar, the orb, lovesliescrushing, seefeel, metheny/mays, flying saucer attack, 808 state, ...

Sounds Like:

Stars EP - OUT NOW
Track Listing:
01. Stars (Edit)
02. Look At The Sky
03. Stars (Kunstlerpaar Dub)
04. Stars (Maps Remix)



OUT NOW
Track Listing:
01. Never Be The Same
02. Shine
03. Stars
04. Einfeld
05. In Between The Years
06. Here Today, Gone Tomorrow
07. A Song About Hope
08. Medusa
09. Goodbye
10. For Good



OUT NOW
Track Listing:
01. Look At The Sky (Rob McVey Version)
02. Medusa (Edit)
03. Gone Forever (Robin Guthrie Version)
04. On My Own (Robin Guthrie Version)



Far Away Trains Passing By - ORDER NOW
Track Listing:
DISC 1
01. Knuddelmaus
02. Between Us And Them
03. Far Away Trains Passing By
04. Blumenwiese Neben Autobahn
05. Nobody’s Home
06 .Molfsee

DISC 2
01. Sunday Evening In Your Street
02. Suddenly The Trees Are Giving Way
03. Nothing Happens In June
04. As If You’ve Never Been Away
05. A Million Miles Away
06. Crazy For You
07. Wherever You Are



A Strangely Isolated Place - ORDER NOW
Track Listing:
01. Gone Forever
02. On My Own
03. A Letter From Home
04. Monday – Paracetamol
05. Clear Day
06. Blumenthal
07. In All The Wrong Places
08. A Strangely Isolated Place
09. Gone Forever (Robin Guthrie Remix)
10. On My Own (Robin Guthrie Remix)

Record Label:

unsigned