Zaki Ibrahim’s music is captivating and vibrant. It’s thick with poetics and steeped in a delicious mixture of earnest emotion and social commentary. Zaki’s path continues to progress, layering new experiences on top of each other that uniquely influence her musical ventures, culminating in her most recent project, eclectica (episodes in purple).

Zaki’s road has been paved with creative encounters that have propelled her forward – from a childhood steeped in musical influences, to performing at Capetown’s historic Armchair Theatre, then touring Canada with South Africa’s Tumi and the Volume, the Roots and Bedouin Soundclash, to collaborating with famed DJ/Producer King Britt, to now.

With a full length album in the works, Zaki will continue to break new ground, challenge assumptions and step outside her comfort zone. Her philosophy of making connections based on a mutual admiration for expression, creativity and the power of words, directs Zaki’s path. Expect the unexpected as Zaki continues to grow as an artist.

The thing about truth is, it exists whether you believe it or not - it doesn’t need your trust, it doesn’t ask for your confidence. So if I told you about a spirit gifted enough to warm the hearts of Toronto’s coolest residents and you didn’t buy it, it would be of little consequence. Truth requires no witness. It doesn’t make a difference if you’re the type to ridicule talk of transcending souls reincarnating in contemporary musicians. Zaki Ibrahim’s second EP, Eclectica (Episodes in Purple) , displays the mature taste and talent of someone who must have been here before. The clever lyricss wrapped around fresh beats makes it difficult to believe that this much talent was cultivated in only 20-some years.

Apparently not one for boxes, Ibrahim’s latest is exactly what you’d imagine – a well-rounded, unclassifiable, genre-defying mix of innovative music. Somehow, Ibrahim manages to move from organic to electronic seamlessly in only a handful of tracks. This is an artist daring enough to erase boundaries that never should have existed.

Ibrahim reveals her heart of an emcee on “You Choose” and the soul of a jazz musician throughout. Her textured voice sings in deep tones, resonating like an ancient mantra, soothing listeners with grounded optimism. “Love-Like” provokes images of a lounge cloudy with incense smoke and candles – like a coffee house but cooler, a hip hop show but smoother. And then there’s “Connected” and “Grow Again” revisited from the last EP. This is grown folks’ music for her generation.

If you stepped out on faith, you might discover what others already have; Eclectica could be your funky introduction of how nice Ibrahim is. But really, talent, like truth, couldn’t care less.