Per Boysen (sax, flute, EWI, fretless guitar, live looping gear)
Influences
Dreams, places, people... I'd love to connect with those who are into the music of Jon Hassel, Steve Reich, Robert Rich, Arve Henriksen, The Orb or any sort of Psychedelic and Open Music.
“I play music that is open, improvising, breathtaking and sometimes a complete failure!” Swedish multi instrumentalist Per Boysen is a crossover crusader that loves music and hates genres. Enthusiastic listeners have hinted at “Nu-Jazz” or “Minimal” while others refer to "Sound Art". On stage Per plays the Alto Traverse Flute, the Tenor Sax, the Fretless Electric Sustaniac Guitar and the Electric Wind Instrument. Plus his special meta instrument; the live looping laptop, to be played by foot control pedals.
"Among the many festival highlights was Swedish guitarist and flute/wood-wind player Per Boysen's Jon Hassel-like soundscapes". Guitar Player Magazine June 7/2007.
"Per Boysen's live looped ambience music with layers over layers of sax- and flute melodies was a real experience, and it was obvious that he is utilizing the electronics as his personal expression without being a slave to the technology." Smålandsposten, May 26 2008.
Per Boysen has performed many live-looping shows in USA, Sweden, Switzerland and Italy, both as a solo performer and with ensembles. He is fond of multi media based collaborations, as for example when the Italian Festival Internazionale di Andria Castel dei Mondi 2006 gave him a budget big enough for assembling a temporary quartet, the Boysen Network Ensemble, to improvise a micro opera with amplified painting canvas percussionist and musicians clamped with cameras projecting over a big screen by the stage. He has also composed and produced recordings of surround soundtrack music for films in the DVD format, mixed records for bands and done creative remixing for special record label releases.
The Swedish Art Grants Committee helped financing a few of Per’s projects, as the series of Swedish Live Looping Tours happening in 2003 and 2008. Interviews and concerts covered by the national public service television’s art documentary Musikspegeln and, internationally, by The Music Room of CNN.
As a consulting musician Per Boysen is also working with a row of software developers to help out in the creation of tomorrows musical instruments. Besides playing music he has also written expert studies for WIPO in Geneva, the Nordic Musician Union and The Swedish National Council for Cultural Affairs. Other works including books in Swedish on the music business as well as being a freelance journalist, editor and columnist for Scandinavia’s biggest guitar and computer music studio magazines. Per Boysen is also frequently booked as a speaker, trainer and consultant regarding Apple Logic, Ableton Live and assorted live-looping techniques.
Former credits include international major label releases with extremely visual punk-electronic dance- pop band Plastico (artist) as well as Swedish gold seller Peter LeMarc (studio musician). Per Boysen has also appeared in art performances directed by Swedish multi artist Dan Fröberg (Stockholm Art Show, “Nya Gärdesfestivalen” etc). Many other credits not mentioned here – but who cares?
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Finally, how would you describe what you are doing?
“Multi Lateral Improvisation as in Instant Composing”
In jazz it is common that one musician improvises lead themes over a fixed chord structure background played by other musicians. In my music the same musician, or musicians, typically improvises both the lead themes and the chord structures at the same time. This multi lateral improvisation is made possible by advanced live-looping techniques. It is a very intuitive way of creating music. - Per Boysen.
Playing the music rather than the background - and vice versa...
I think “playing the music rather than the background”, as Ornette Coleman once put it, is one side of what I’m doing. The other side is that in a certain sense I’m “exclusively playing backgrounds”. Whatever way the listener choses to interpret my music, there will always be some empty part of the screen to be filled in by the listening mind’s imagination. In my opinion this psychologic aspect of listener's participation is a key element in “psychedelic” or “open” music. - Per Boysen
Thanks very much for accepting my friend request Per. I saw you on Philharmonix page. I know him because I see him playing at markets near me but you're on the other side of the globe, unlikely connection I would have thought. See you on lug.
I’ve posted a couple of videos on my page. Check them out if you feel like it. You might (probably will) enjoy them.
I’d also like to invite you to have a listen to my music.
People have said:
*Your music is quite fantastic! It has heart/soul/atmosphere - and I really dig it!
*Your music . is . exquisitely . beautiful
* I saw you on Eric Clapton's page. That's too cool. You are very talented and I can see why he put you there.
This is a band i played with last year. Hope you'll enjoy this video demo.
Best fabio
"Il sesto Continente" Carlo Micheli (sax) Fabio Anile (keyboards and live loops) Gianluca Peretti (el guitars, el. drum, samples) Tiziano Bartolucci (el. bass) Claudio Colazza (drum and percussions) Andrea Paladino (visuals)
I decided to skip this page, since it makes it difficult for people to find me (under that "looproom" moniker). So, I'd like to invite you (and others) to hook up with me through my new page instead.
hey, thank you for adding me . i dig your music,too :) i get that you are playing with the Zone Mobius looper? How do you manage it? I really consider using it (with a midi-floorboard) in a solo-live context and play my own music. I tried it by using a microphon in front of my guit.-amp and send the looped signal into a monitor. It works suprisingly great :)
