Mikael Carlsson, Jesper Engström, Valdemar Gezelius, Lars Gribbe, Hanna Fahl, Per Johansson, Patrik Lindgren, Aina Myrstener, Mathias Nilsson, Sarah Nyberg Pergament, Johan Tuvesson.
Influences
Alain Robbe-Grillet, My Favorite, Dislocation Dance, ELIZABETH PRICE, Les Disques du Crepuscule, Jim Steinman, Scarlet’s Well, Black Widow, Jacques Rivette, early Sisters of Mercy, Comus, The Blue Nile, Nobuhiko Obayashi, The Field Mice, Boston, Lily Cole, Black Tambourine, George Hoyningen-Huene, Alizée, Marden Hill, Webstrarna, él Records, Lio, Roky Erickson, Wim Mertens, Jean Rollin, Broder Daniel, Julian’s Treatment, Whit Stillman, Råg i Ryggen, The Wake, Stephin Merritt, Eyeless In Gaza, Jean Cocteau, Svenska Popfabriken, Renaissance, Nils Dardel, Ministry, Twa Toots, Hawkwind, Cecil Beaton, Sarah Records, David Axelrod, Pulp, Biljardakademin, Thin Lizzy, Edward Burne-Jones, Los Iniciados, Vic Godard’s jazz albums, Jean-Louis Trintignant, Mellow Candle, Weekend, Georges Franju, Iron Maiden, Antena, Richard Sala, Smoosh.
Knives sharpening, girls combing the beards of goats, Kissing Mirrors are coming to town. The heavy suitcase that they’re carrying around is filled with bloody handprints, ominous shadows, dubious literature, a kiss from a ghost, and the two muses Euterpe and Polyhymnia shackled and chained. Their aim is to offer an even mix of jangly indiepop, romantic flutes, white fake-funk, and delirious pretentions. Failure to do so will cause them to take a direct flight to France to strangle a child on Serge Gainsbourg’s tomb.
To order their debut 7"-single please visit www.snowdayrecords.se
