The present line-up is Nigel Burch - vocals. banjulele. harmonica, Dylan Bates (violin - who has played on nearly all the gigs and recordings), Richard Lee (double bass), Steve Blake (drums and percussion). The Flea-Pit Orchestra has always been a bit of a moveable f(l)east and over the years various musicians have performed and recorded with Burch including Andrew Ranken (drums), John Edwards (bass), Oren Marshall (tuba), Adrian Stout (double bass + musical saw), Mary Morrison (cello), John Eacott (trumpet), Marc Jordan (trumpet), Stephen Warbeck (piano and accordion), Dean Brodrick(accordion,bassoon) Lol Coxhill (sax), Ben Nichols (double bass), Alison Blunt (violin), Matt Scott (accordion), Roberto Bellatalla (double bass), and Roy Dodds (drums). Burch often performs solo, or with Dylan Bates as BURCH & BATES. They recently returned from Berlin where they played a string of concerst as a duo. (See www.myspace.com/burch/bates.)
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Influences
Kevin Coyne, Tom Waits, Max Beckmann, Jake Thackray, Tony Hancock, W.C.Fields, J.G.Posada, George Formby, George Grosz, Alfred Jarry,William Saroyan, John Cooper Clarke, Charles Bukowski, Bertolt Brecht/Kurt Weill, Leonard Cohen, Jaroslav Hasak, Max Miller, Fritz Lang, Raymond Chandler, Ian Dury, Leadbelly, Kurt Vonnegut, Randy Newman, Otto Dix, Hank Williams, Samuel Beckett, Les Dawson, Rudolf Schlichter, Tommy Cooper, Venedikt Erofeev, The Pogues, Tom Lehrer, Franz Kafka, Johnny Cash, Max Wall, Big Bill Broonzy, Loudon Wainwright, Damon Runyon, Bob Dylan, Billy Bennett, John Fante, Aki Kaurismaki, Lonnie Donnegan etc.
'A cross between the music of Ian Dury, Brecht and Weill, an
Irish pub
band and a 1950's skiffle group. Songs of urban-alienation with plenty
of
fierce spontaneous playing.' (THE GUARDIAN.)
Although NIGEL BURCH started performing at the age of 10 in his
first
band The Blackouts his serious(?) career began writing and performing
in the
seventies and eighties with a number of new-wave/punk outfits such as
The
Outpatients and Figures of Fun. During this period they shared the bill
with
bands such as The Damned, Sham 69, The Members and Crass. In the
mid-eighties - solo and armed only with a ukulele and a scary pair of
tonsils (billed as "The Troubadour Of Urban Angst") he stormed
the
stages of the pub/club/cabaret scene like some demented neo-George
Formby.
He appeared alongside the likes of John Cooper Clarke and Patrik Fitzgerald
and
released a stark and uncompromising solo vinyl album called "Fascists
In The
Snug Bar". (Faintly amusing - The Morning Star.) He continued to
perform his set of strange and unsettling songs, now occasionally
accompanied by string-players and percussionists. Later he assembled
around
him a collection of musicians from a variety of backgrounds and
disciplines.
In 1997, with an expanded sound that included such instruments as
the
violin, double bass, cello and drums this eccentric ensemble now known
as
NIGEL BURCH AND THE FLEA-PIT ORCHESTRA played their first
performance. The banjulele bashing bard and his musical misfits play
twisted
skiffle and bar-room ballads - Cockney-Weimar cabaret style. Gritty
inner-city ditties you can drink and dance to - punkdiddley Brechtian
hoedown, spit-and sawdust vaudeville: The Existential Knees-Up.
Humorous and
horrible, poignant and debauched. In London they have played The
Hackney
Empire, The Borderline, The 100 Club, The Spitz, King's Head Theatre
Pub,
The Klinker, The 12 Bar Club, The Hope & Anchor, The Buffalo Bar, The
Arcola
Theatre plus countless other pubs and clubs and anarchists's balls.
They
have also toured in Germany, Austria, Switzerland, Ireland and Moscow -
where they are very popular, seeming to appeal to the Russian alcoholic
sensibility.
The band has appeared three times on BBC London radio once on the
Peter
Currin Show and twice on the Mel And Sue Show. Nigel has appeared solo
on
Viva Radio and resonance.fm. They have been featured on the Round the
World
play-list on Spirit FM and make a live appearance in the up-and-coming
short
film Percy Circus. They were interviewed for Moscow TV and an interview
with
Nigel Burch appeared in The St Petersburg Times in an article called
Songs
For When You Want To Weep And Waltz. Burch has also acted in both
musical
theatre (once as one of Santa's secret agents in The Legend Of
Chocolate
with The Sofa Trio) and in a number of short films - most recently
making a
very brief appearance as a harem guard in the dark erotic fantasy
Prayer
Cushions Of The Flesh.
The CD BOTTLE SUCKER featuring Flea-Pit favourites such as
'Love
Letters Down The Toilet',' Me And All The Other Vegetables' and 'I Used
To
Be Mad' is available from gigs and on request. The follow-up CD MR
DOO-LALLY
will be released shortly and includes 'The Pub With No Name', 'Bad To
My
Body' and of course 'Mr Doo-Lally'. Nigel Burch is also a published
poet/illustrator and his work has appeared in a number of magazines
including DOG, Iron, Ape, The Rialto, Liar Republic alongside Irvine
Welsh
and Billy Childish, amongst others. His first collection was called
Sentimental Monster (Echo Room Press). Charles Bukowski described his
writing as "the best cure for a hangover I ever lucked across."
As a
graphic artist he has shown his work in England, Germany, U.S.A,
Switzerland
and Austria. His last London exhibition was at The Stairwell Gallery
and
called "Old Hat." See: www.fleapitorchestra.co.uk for details
of
band and solo gigs.
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Nigel Burch and the Flea-Pit Orchestra's Friend Space (Top 24)
Nigel Burch and the Flea-Pit Orchestra has 1668 friends.
An Evening Celebrating Kevin Coyne- his words and music THE POETRY CAFÉ
22 Betterton Street
Covent Garden, London WC2
Thursday 5th June
An evening celebrating the writings and music of
Kevin Coyne
Artists taking part include Nigel Birch, Dave Russell, Goodie Sweeney (who will be reading some English translations of Kevin’s German stories), Big Mehr and Joey Stack, Stumble On The Valves - plus Razz and Frank Bangay. Clive Product, author of Beautiful Extremes: Conversations with Kevin Coyne will be sharing memories of his friendship with Kevin. As Clive lives in Berlin, and cannot make it to the gig, Barry O'Brien will read on his behalf. Clive has also sent Barry some memories from the last time he met up with Kevin alive. Kevin’s most recent book That Old Suburban Angst will be on sale
Evening starts at 8pm
Admission £2 50; £2 Concessions, £1 Floorspots
Organised by Frank Bangay, in collaboration with Survivors Poetry
I am proud to announce the imminent arrival of the BEST EVER compendium of photos and words (I can say that modestly because the contributors made it with minimal interference from my monkey self) So... PREPARE FOR CULTURAL ANNIHILATION! THE END OF RUBBISH PHOTO ZINES IS AT HAND! The first ever Illustrated Ape PHOTOGRAPHY issue is coming: PHOTOGRAPHERS OF THE URBAN APOCALYPSE, designed by the incredible James&Joe, featuring exclusive photography by David Sims, Paul Wetherall, David Hughes, Holger Pooten, Alessandra Tisato, Marcus Oakley, Kristoff Verscheuren, Daniel Sannwald, Modern Toss, and other geniuses of the flashbulb, with Honey Manko, Amy Winehouse, Chrys Columbine, Natalie O'Conner, featuring searing words from Kim Rickcord, prize winning poet Tim Turnbull, Molly Doolittle Slade, Haruko Haga, Jack Gabriel, Ian Armer, Dina Begum, Vanessa Pelz-Sharpe, Nigel Burch, and Tim Wells. Check out www. theillustratedape. com for more info.
Hi Nigel, it was great to meet you & see the show at Artliner's. Hope the rest of the German tour went as well. When do we get to hear "the bastard whose doing her now?" Hope to see you again over here, Chris L
Really hope you can make it to Tripping In The Country's 1st Birthday party.
(Free Champagne...FOR THE EARLY BIRDS!!)
Thursday 15th May 2008 Bonanza Presents: A 'Cosmic Ladies Night' Featuring: Mary Epworth & The Jubilee Band Gemma Ray Brigid Power-Ryce +Guest DJ: 'Spooky Lady's Sideshow'
The Bladdered Balladeers live in Ausland, 3. Mai 2008
Lychener Str. 60, S- & U-Bahn Schönhauser Alle
'A cross between the music of Ian Dury, Brecht and Weill, an Irish pub band and a 1950's skiffle group. Songs of urban-alienation with plenty of fierce spontaneous playing.' (THE GUARDIAN. )
Unplugged Cockney-Brechtian folk-punk cabaret from Nigel Burch, the banjo-bashing troubadour of urban angst accompanied by DylanBates, fiddler extroadinaire.